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±â °£ 2019³â 07¿ù 03ÀÏ(¼ö) - 07¿ù 16ÀÏ(È­)

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»çÁøÀ» Âï¾ú´Ù°í ¸»ÇÏ°í ±×¸²Àº ±×·È´Ù°í ¸»ÇÑ´Ù

±×·³ »çÁøÀ» Âï¾ú´Ù´Â ¸»Àº ´ë»óÀ» °¡°¨ ¾øÀÌ ÀÖ´Â ±×´ë·Î¸¦ ÀçÇöÇß´Ù´Â Àǹ̸¦ ³»Æ÷ÇÑ´Ù. »çÁøÀº Áö½ÃÀûÀÌ°í »ç½ÇÀûÀ̱⠶§¹®¿¡ Çö½ÇÀ» ¸®¾óÇÏ°Ô ÀçÇöÇϴµ¥ Ź¿ùÇÑ ±â´ÉÀ» ¹ßÈÖÇÏÁö¸¸ ¿À´Ã³¯ ¿¹¼ú·Î¼­ÀÇ »çÁøÀº º¸ÀÌ´Â °Í ³Ê¸ÓÀÇ ½É¸®Àû °á°ú¹°·Î¼­, Áö±ØÈ÷ ÁÖ°üÀûÀ̸鼭µµ »çÀûÀÎ Á¶Çü¾ð¾î¸¦ »ý»êÇس»°í ÀÖ´Ù. ±×·¡¼­ ÄÁÅÛÆ÷¶ó¸®»çÁø¿¡¼­´Â ³»¹ÐÇÑ Àǽļ¼°è¸¦ µå·¯³»°í ½Ã´ëÀû ¾ð¾î¿Í ´ã·ÐÀ» À̲ø¾î³»¸é¼­ ½Ã´ë¿Í ¸¸³ª´Â »çÀû µµÅ¥¸àÆ®document·Î¼­ÀÇ »çÁøÀÇ ¿ªÇÒÀÌ ´õ ºÎ°¢µÇ°í ÀÖ´Ù.

¸£³×»ó½º½Ã´ë ÃÖÃÊÀÇ Ä«¸Þ¶ó°¡ È­°¡µé¿¡ ÀÇÇؼ­ °³¹ßµÇ°í »ç¿ë µÇ¾ú´ø ¿ª»ç°¡ ÀÖ¾ú°í, ¶Ç Çö´ë¿¡ ¿Í¼­´Â ±Ø»ç½ÇÁÖÀÇ È­°¡µéÀº »çÁøÀ» È°¿ëÇؼ­ ±× »çÁøÀû ½Ã¼±, »çÁøÀû µðÅ×ÀϹ¦»ç¿Í °°ÀÌ ¸®¾óÇÏ°Ô ´ë»óÀ» ¹¦»çÇÏ´Â ÀÛ¾÷À» º¸¿©Áֱ⵵ ÇÑ´Ù. ÀÌµé ±Ø»ç½ÇÁÖÀÇ ÀÛ°¡µéÀº ¶§·Î »çÁøº¸´Ù ´õ »çÁø °°Àº ¸®¾óÇÑ ÀÛÇ°À» »ý»êÇÏ°í ÀÖ´Ù.

À̹ø Àü½Ã´Â Ä«¸Þ¶óÀÇ ½Ã¼±À¸·Î ´ë»óÀ» º¸´Â Æ÷Å丮¾ó¸®Áò(photorealism)À̶ó ÇÒ¸¸ÇÑ, Áï »çÁøÀ» º¸°í ±×¸²À» ±×¸®´Â °øÅëÁ¡À» Áö´Ñ È­°¡µéÀÇ ÀÛÇ°µé·Î ±¸¼ºÇß´Ù. ÀÌ ½Ã´ë¸¦ À̾߱âÇÏ´Â Á¶Çü¾ð¾î·Î, ³»¹ÐÇÑ Àϱâ¿Í °°Àº »çÀû µµÅ¥¸àÆ®document·Î¼­ÀÇ À̹ÌÁö, Çö´ëÀεéÀÇ ½Ã¼±, ÀÌ ½Ã´ë¸¦ ÇÔ²² »ì¾Æ°¡´Â »ç¶÷µéÀÇ ¸ð½À µîÀ» »çÁø °°Àº ±×¸²À¸·Î º¸¿©ÁÖ°í ÀÖ´Ù. Áï »çÁøÀû ½Ã¼±À» ÅëÇÑ µ¿½Ã´ëÀÇ ¸ð½À¿¡ ´ëÇÑ µ¿½Ã´ë ÀÛ°¡µéÀÇ À̾߱â·Î ±×¸²´öÈĸ¦ ³Ñ¾î ÀÚ½Åµé ¸¸ÀÇ ³»¹ÐÇÑ ¾ð¾î¸¦ Àß µå·¯³»°í ÀÖ´Â ÀÌµé ¸ðµÎ ÅõöÇÑ Á÷¾÷Á¤½ÅÀÌ ÀåÀÎÁ¤½ÅÀ¸·Î ´ÙÁ®Áø, ±×·¡¼­ ¹Ì·¡°¡ ´õ ±â´ëµÇ´Â 4ÀÎÀÇ È¸È­ÀÛÇ°À» º¼ ¼ö ÀÖ´Â Àü½ÃÀÌ´Ù.

 

¼­µ¿¿íÀº ±× µ¿¾È º¸¿©ÁØ Æ¯À¯ÀÇ Á¤Á¦µÈ º×Áú°ú ¸á¶û²Ã¸®ÇÑ ³»¿ëÀ¸·Î ²ÙÁØÈ÷ ÀڽŸ¸ÀÇ ÀÛ¾÷¼¼°è¸¦ ÆîÃÄ ³ª°¡°í ÀÖÀ¸¸ç À̹ø Àü½Ã¿¡ ÃâÇ°ÇÑ ÀÛÇ° ¿ª½Ã ÀÏ»óÀÇ ½Ã.°ø°£ÀÇ ÇÑ Á¢Á¡ÀÌ ÃÔ¿µµÈ »çÁøÀû ½Ã¼±ÀÌ´Ù. ÀÏ»óÀÌ, ÇÑ ¼ø°£ÀÌ ±× ¾ó¸¶³ª Á¤ÀûÀÓ°ú µ¿½Ã¿¡ µ¿ÀûÀÎ À̾߱⠰Ÿ®µéÀ» ³»Æ÷ÇÏ°í ÀÖ´ÂÁö¸¦ º¸¿©ÁÖ°í ÀÖ´Ù.

 

¼­¿õÁÖ ÀÛ°¡ÀÇ ±×¸²Àº °üÂûÀÚ·Î ÇÏ¿©±Ý ½Ã°¢ÀûÀ¸·Î ´À²¸Áö´Â ¸Å²ô·¯¿ò°ú ¼¼·ÃµÊÀÌ ±¸°ÜÁø ¸éÀÇ ÅºÅºÇÑ »ö¸é 󸮸¦ ÅëÇØ ³¡¾øÀÌ º¯È­ÇÏ°í Èê·¯°¡´Â ¿ì¸®ÀÇ ÀλýÀÇ ±¼°î°ú Àΰ£À¸·Î¼­ÀÇ »çÀ¯·Î ´À²¸Áö°Ô ÇÏ´Â µ¶Æ¯ÇÑ ¼ÒÀç·Î¼­ÀÇ Æ¯¼ºÀ» ´ã°í ÀÖ´Ù.

 

½Åâ¿ëÀÇ ±×¸²Àº ´ëÁß¹®È­¿¡ µîÀåÇÏ´Â ¼ÒÁ¦¸¦ ÅÃÇÏ¿© X¼¼´ë ´öÈĹ®È­¿¡ °üÇÑ À̾߱⸦ ´ã°í Àִµ¥ Ç¥ÇöÇÏ´Â ¹æ½Ä¿¡ À־ GTA5 ¶ó´Â °ÔÀÓ¿¡ µîÀåÇϴ ij¸¯ÅÍÀÇ »ö¸éó¸® ¹æ½Ä°ú ¸¹ÀÌ ´à¾ÆÀÖ´Ù. ±×¿¡°Ô´Â ´ëÁß¹®È­°¡ °ð ÀηùÀÇ ¿ª»çÀÌ°í ±× ¾È¿¡¼­ ±×´Â ±×¸²À¸·Î °ü°´°ú ¼ÒÅëÇÏ°í ÀÖ´Ù.

 

À±Ä¡º´Àº ±×¸²¿¡ À־ ±â¼úÀûÀ¸·Î ¸Å¿ì °íµµÀÇ Á¢±Ù ¹æ½ÄÀ» ÅÃÇÏ°í Á¤È®ÇÏ°Ô Ç¥ÇöÇÏ´Â È­°¡·Î °ü°´Àº ±×ÀÇ ±×¸²À» º¸¸é¼­ ȸȭÀû Ç¥ÇöÀÇ ÇÑ ±Ø´Ü¿¡¼­ ±×¸²ÀÌ ¾î¶»°Ô ¸¶¹«¸®µÇ¾úÀ» ¶§ ½Ã¼±ÀÌ ÁýÁßµÇ°í ¸Ó¹«¸£´ÂÁö ¾Ë ¼ö ÀÖ°Ô µÈ´Ù.

 

ÁÖ¸ñ ¹Þ°í ÀÖ´Â ÀÛ°¡µéÀÇ À̾߱â´Ù.

 

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¼­µ¿¿í

 

ÇзÂ

2005 Paris-Cergy ±¹¸³ °íµî¹Ì¼úÇб³ Á¹¾÷

2001 È«ÀÍ´ëÇб³ ȸȭ°ú Á¹¾÷

 

°³ÀÎÀü

2019 ºÐÀ§±â, Nobless collection, ¼­¿ï

2017 ºÐÀ§±â, One and J gallery, ¼­¿ï

2015 ¾ßÇà, °¶·¯¸® ¼Ò¼Ò, ÆÄÁÖ

2014 Myself when I am real, Camerata, ÆÄÁÖ

2013 ȸȭÀÇ ±â¼ú, One and J gallery, ¼­¿ï

2012 The armory show Film project, Pier 92, New York, USA

2011 Day for Night, One and J gallery, ¼­¿ï

2009 ³ªÀÇ Çª¸¥ °¡¹æ, One and J gallery, ¼­¿ï

2009 ¼­µ¿¿í, Çö´ë À©µµ¿ì°¶·¯¸®, ¼­¿ï

2007 Myself when I am real, ´ë¾È°ø°£·çÇÁ, ¼­¿ï

2006 Mimi gallery Cité internationale des arts, Paris

34¹øÁö ormeaux°Å¸®, 2002³â °Ü¿ï_gallery Mille plateaux, Paris

 

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2019 ¿¹¼ú, ½Ã´ëÀÇ °¢ÀÎ : ´ë¾È°ø°£ ·çÇÁ 20Áֳ⠾ÆÄ«À̺ê ÇÁ·ÎÁ§Æ®, ´ë¾È°ø°£ ·çÇÁ, ¼­¿ï

2018 Art Los angeles contemporary, LA convention center, LA, USA

Christie’s HongKong preview Space XX, ¼­¿ï

Vernacular glance, Hongkong Convention and Exhibition Center, Hongkong

Dialog Art space Sueno339, ¼­¿ï

Art Chicago 2018, Expo Chicago, Chicago, USA

¿©ÀüÈ÷ ¹«¼­¿î ¾ÆÀ̵é, ½ÓÁö½ºÆäÀ̽º 20ÁÖ³â, µ·Àǹ® ¹Ú¹°°ü ¸¶À», ¼­¿ï

2017 ¿À´ÃÀÇ ½Ã°¢, È«ÀÍ´ëÇб³ Çö´ë¹Ì¼ú°ü, ¼­¿ï

Natural selection, Hongkong Convention and Exhibition Center, Hongkong

2016 ¹ãÀÇ °¡ÀåÀÚ¸®, OCI ¹Ì¼ú°ü, ¼­¿ï

Analog Welcome, Digital Archive, Expo Gyeong-Ju, Gyeong-Ju, Korea

2015 ºû³ª´Â ÇÑ ÇØ, °¶·¯¸®¾Æ ¼¾ÅͽÃƼ°¶·¯¸®, õ¾È

2014 Ile royal, ±Ýõ ¿¹¼ú°øÀå/ ¿À»ê ¹Ì¼ú°ü, ¼­¿ï/ ¿À»ê

´ë±¸Ã»³â¹Ì¼úÇÁ·ÎÁ§Æ® Yap'14, ´ë±¸Àü½ÃÄÁº¥¼Ç¼¾ÅÍ, ´ë±¸

2013 Video art in Asia 2002-2012, ZKM Center for art and media, Karlsruhe Germay

Mnemosyne's privacy, Sema nanji exhibition hall, ¼­¿ï

The shadow of the future, National Museum of Contemporary art, Bucharest, Romania

Çö´ëÀû °ü±¤, ÀÏÇö¹Ì¼ú°ü, ¾ç¾ç

Story telling, White block gallery, ÆÄÁÖ

Film sector, Art Basel, Art Basel Miami beach, Miami, USA

Analog welcome, Digital archive, Sema nanji exhibition hall, ¼­¿ï

¿Ü ´Ù¼ö

 

 

¼­¿õÁÖ

 

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2016 È«ÀÍ´ëÇб³ ÀϹݴëÇпø ȸȭ°ú ¹Ú»ç°úÁ¤ ¼ö·á

2014 Chelsea college of art(UK), MA Fine Art

2008 È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇРȸȭ°ú Á¹¾÷(BFA)

 

°³ÀÎÀü

2018 Crumpled stripe, ¼­Ãʵ¿ µµÀ×¾ÆÆ®

2017 Crumpled stripe, °¶·¯¸® µµ½º

2017 Crumpled stripe, °¶·¯¸® °¡ºñ

¿Ü 5ȸ

 

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2019 °¨°¢¼ö¾÷ ±âȹ´ÜüÀü, ¼Ò¸¶¹Ì¼ú°ü

2018 manipulated desire(Á¶ÀÛµÈ ¿å¸Áµé) , ´ë±¸°¡Å縯´ëÇб³ ±èÁ¾º¹¹Ì¼ú°ü

2018 THE SHIFT 3±â, °¶·¯¸® ¹Ú¿µ

2018 ±³ÇÏ ¾ÆÆ®¼¾ÅÍ 10Áֳ⠱âȹ´ÜüÀü, ÆÄÁÖ ±³ÇϾÆÆ®¼¾ÅÍ

2017 ¹é½Ã°£ ³í ½ºÅé¸ðÅÚ ¾ÆÆ®Æä¾î, ±¤Áø±¸ ´õºíÀ¯¸ðÅÚ

ºÎ»ê±¹Á¦¾ÆÆ®Æä¾î(BIAF) ºÎ½º°³ÀÎÀü, ºÎ»ê º¤½ºÄÚ Á¦2Àü½ÃÀå

HoMA ±âȹ´ÜüÀü ‘SEE: »õ·Î¿î Çü»óÀÇ ¾îÁ¦¿Í ¿À´Ã’ , È«ÀÍ´ë Çö´ë¹Ì¼ú°ü

¾Æ¸§´Ù¿î µ¿Çà - ½£ÀÌ ±æÀÌ µÇ´ÙƯº°Àü, SNUÀåÇкôµù2Ãþ º£¸®Å¸½ºÈ¦

ATTACHBREAKCRUMPLE Á¦À̸̹®, À¯ÀÇÁ¤, ¼­¿õÁÖ, KEBÇϳªÀºÇà ¾Ð±¸Á¤PB¼¾ÅÍ

SEASON2: Fantastic Voyage, È«ÀÍ´ëÇб³ È«¹®°ü2Ãþ Çö´ë¹Ì¼ú°ü HoMA

Á¦23ȸ Çö´ë¹Ì¼úÇÑÀÏÀü ¼­¿ïµµÄì¸ñÆ÷, G&J±¤ÁÖÀü³²°¶·¯¸®, ÇÑÀü¾ÆÆ®¼¾ÅÍ

ÀÇ¿Ü·Î ½ÉÇÃÇÑ Çö´ë¹Ì¼ú±âȹ´ÜüÀü, ÀüºÏµµ¸³¹Ì¼ú°ü

Fantastic Voyage, È«ÀÍ´ëÇб³ È«¹®°ü2Ãþ Çö´ë¹Ì¼ú°ü HoMA

‘I am ultra fine’ 5ÀÎî÷, °¡°í½ÃÆ÷ °¶·¯¸®

ÇÑÁßÀÏ ¿¹¼úÀü 2017, ÀϺ» À̹ٶóÅ°Çö Ã÷Äí¹Ù ¹Ì¼ú°ü

WhiteÀü, ÇÑÀü¾ÆÆ®¼¾ÅÍ2°ü

¿Ü 36ȸ

 

 

½Åâ¿ë

 

ÇзÂ

2006 È«ÀÍ´ëÇб³ ´ëÇпø ȸȭ°ú Á¹¾÷

2003 È«ÀÍ´ëÇб³ ȸȭ°ú Á¹¾÷

 

°³ÀÎÀü

2016 <´öÈ­6>, °¡³ª¾ÆÆ®ÆÄÅ©, ÀåÈï

2011 <°ËÀº °¡¸¶¼Ü>, º£ÀÌ¡ MK2 SPACE, º£ÀÌ¡

2009 <Smells like Sasquatch>, ÅÚ·¹ºñÁ¯ 12, ¼­¿ï

2008 <ÀØÇôÁöÁö ¾Ê´Â´Ù.¿ì¸®ÀÇ ²Þ>, °¶·¯¸® ½ÓÁö, ¼­¿ï

2007 <°­ÇÑ°Í, ¸ÚÁø°Í ±×¸®°í ¾Æ¸§´Ù¿î°Í>, ¼± ÄÁÅÛÆ÷·¯¸®, ¼­¿ï

2005 <Àý´ë¹«Àû>, ½ÓÁö ½ºÆäÀ̽º, ¼­¿ï

 

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2019 ÇÁ·ÎŸÁÖ °¶·¯¸®, FREAK, SEOUL, ¼­¿ï

Á¦ÁÖÁ¶°¢°ø¿ø, Çö´ë¹Ì¼ú·Î ¹Ù¶óº» ¿©¼ºÀ뱂 À̾߱â_À§¾ÈºÎ Àü½Ã, ¼­¿ï

±³º¸¹®°í ÇÕÁ¤ ¾ÆÆ®¿ù, ¼­¿ï

±¹È¸ÀÇ¿ø°ü Á¦2·ÎºñÀü½Ã°ü, DO THE RIGHT THING, ¼­¿ï

2018 ¿ÀÆÛ¼¾Æ® °¶·¯¸®, ¶¥!, ¼­¿ï

BK°¶·¯¸®, Art Terms, ¼­¿ï

¿Ã¹Ì¾ÆÆ®½ºÆäÀ̽º, ¿Ã¹Ì¾¾ÀÇ Çູ¿©ÇàÀü2, ¼­¿ï

½ÓÁö½ºÆäÀ̽º 1998-2008-2018: ¿©ÀüÈ÷ ¹«¼­¿î ¾ÆÀ̵é, µ·Àǹ® ¹Ú¹°°ü, ¼­¿ï

20¼¼±â ¼Ò³â¼Ò³à, ±³º¸ ¾ÆÆ® ½ºÆäÀ̽º, ¼­¿ï

DO THE RIGHT THING!, °¶·¯¸® ¼ººÏ, ¼­¿ï

FIRST LOVE, ·Ôµ¥°¶·¯¸®, ´ë±¸

100 ALBUMS 100 ARTIST, ·Ôµ¥ ¿¡ºñ´º¿¤ ¾ÆƮȦ, ¼­¿ï

½Å ¼ÒÀåÇ°Àü, ¿À»ê½Ã¸³¹Ì¼ú°ü, ¿À»ê

2017 <°æ°è 155>, ¼­¿ï ½Ã¸³¹Ì¼ú°ü, ¼­¿ï

<ºÎ»ê ±¹Á¦ºñµð¿À¾ÆÆ® Æ佺Ƽ¹ß>, °ø°£ Èû, ºÎ»ê

<À§¾ÈºÎÀÇ ³¯ ±â³ä Ưº°Àü> ¹Ì±¹ ±Û·»µ¥ÀϽà Áß¾Óµµ¼­°ü, ±Û·»µ¥ÀÏ

<´öÈÄ ÇÁ·ÎÁ§Æ®>, ºÏ¼­¿ï ½Ã¸³ ¹Ì¼ú°ü, ¼­¿ï

<º½,½°Ç¥ Çϳª, ¿©°¡ÀÇ ½ÃÀÛî÷>, ¾Æ¶÷ °¶·¯¸®, °í¾ç

<·ë Æ÷ ¾ÆÆ®>, ½´Æ丮¾î °¶·¯¸®, ¼­¿ï

<100 ALBUMS 100 ARTIST>, ¾Öºñ´º¿¤ ¾ÆƮȦ, ¼­¿ï

2016 <Ç÷¹ÀÌ ¾ÆÆ®>, ¼ö¿ø ½Ã¸³ ¾ÆÀÌÆÄÅ© ¹Ì¼ú°ü, ¼ö¿ø

<Ways of Seeing>, LIG ¾ÆÆ® ½ºÆäÀ̽º, ¼­¿ï

¿Ü ´Ù¼ö

 

 

À±Ä¡º´

 

ÇзÂ

2007 È«ÀÍ´ëÇб³ ȸȭ°ú Á¹¾÷

 

°³ÀÎÀü

2009 »ç ¶÷, ³ë¾Ï°¶·¯¸®

 

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2016 Àΰ£°ü½É, ³²»êµµ¼­°ü°¶·¯¸®

2012 CAYAF 2012, ÀÏ»êŲÅؽº

2010 À̹ÌÁöÀÇ º¹È­¼ú, ÀÎÅ;˸®¾Æ

2008 Retrospective 2007 KOREAN YOUNG PAINTERS, ³ë¾Ï°¶·¯¸®

½Ã°¢°ú °üÁ¡-¹Ù¶óº¸±â, °¶·¯¸® ·Î¾â

2007 Hello, Chelsea! 2007, PS 35, ´º¿å

2006 È«ÀÍ´ëÇб³ °³±³ 60Áֳ⠱â³ä ±¹Á¦ ¹Ì¼úÁ¦, È«ÀÍ´ëÇб³ Çö´ë ¹Ì¼ú°ü

´ëÇѹα¹ û³â ¿¹¼úÀÇ Èû, ºÎ³²¹Ì¼ú°ü

"Zoom + Canvas" ¼±Åðú ÁýÁß, °¶·¯¸® ¾ÆÀÌ

 

[ÀÛÇ° À̹ÌÁö]

 

<¼­¿õÁÖ, Crumpled zebra stripes(indigo), 130cmx130cm, oil on canvas, 2018

< ¼­¿õÁÖ, Crumpled various stripes (blue), 130.2x97(cm), oil on canvas, 2018 >

< ¼­¿õÁÖ. Crumpled various stripe(pink), 90.9x72.9cm, oil on canvas, 2017>

< ¼­µ¿¿í, JB, Oil on Canvas, 80.3x100cm, 2013>

<¼­µ¿¿í, ¾Æħ-³²»ö Ä¿Æ°ÀÌ Àִ ħ½Ç, Oil on Canvas, 116.8×80.3cm, 2016>

<½Åâ¿ë, Kurt Cobain, acrylic on canvas. 117cm x 80cm, 2017>

<½Åâ¿ë, happy Mondays, 40cm x 40cm, acrylic on canvas, 2016>

<À±Ä¡º´, ¹Î¾Æ, 39.4 x 54.5cm, watercolor on paper, 2016>

<À±Ä¡º´, ±¤Èñ, 39.4 x 54cm, watercolor on paper, 2017>
















 

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±èÆò±â ÀÛ°¡ÀÇ ¡®Àç°³¹ß ãÁÓÛ¡¯ ÀÛÇ°¼Ò°³ (2019-06-16 14:03:34)
¡®TERG ¾ÆƼ½ºÆ® ÇÁ·ÎÁ§Æ®¡¯ °³ÃÖ (2019-06-15 14:45:11)