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°¡Á·(Ê«ðé)’. ÁÖ·Î ºÎºÎ¸¦ Áß½ÉÀ¸·Î ÇÑ, Ä£Á· °ü°è¿¡ ÀÖ´Â »ç¶÷µéÀÇ Áý´Ü, ¶Ç´Â ±× ±¸¼º¿ø. È¥ÀÎ, Ç÷¿¬, ÀÔ¾ç µîÀ¸·Î ÀÌ·ç¾îÁø´Ù. ÀÌ´Â °¡Á·ÀÇ »çÀüÀû Á¤ÀÇ·Î ÀϹÝÀûÀ¸·Î ÇÑ Áý¿¡¼­ ÇÔ²² »ì¸é¼­ ³¢´Ï¸¦ °°ÀÌÇÏ´Â »ç¶÷ÀÎ ½Ä±¸¿Í À¯ÀǾî·Î »ç¿ëµÈ´Ù. ¿À´Ã³¯ ¿ì¸®³ª¶ó ÃÑ °¡±¸¼ö´Â 2,309¸¸ 3,108°¡±¸À̸ç Æò±Õ °¡±¸¿ø¼ö´Â 2.4¸íÀ¸·Î, ÀÌ Áß 1ÀÎ °¡±¸¼ö´Â 39.2%¸¦ Â÷ÁöÇÑ´Ù. ÇÑÆí ¹Ý·Á µ¿¹°À» Å°¿ì´Â °¡±¸´Â Á¡Á¡ ´Ã¾î 604¸¸ °¡±¸·Î ¿ì¸® ±¹¹ÎÀº 4¸í Áß 1¸í ºñÀ²·Î ¹Ý·Áµ¿¹°°ú ÇÔ²² »ì°í ÀÖ´Â ¼ÀÀÌ´Ù. ÀÌó·³ ÀüÅëÀûÀÎ °¡Á·ÀÇ °³³äÀº »çȸ, °æÁ¦Àû ±¸Á¶ÀÇ º¯È­¿¡ µû¸¥ °³ÀÎÀÇ ÃëÇâ°ú ±âÈ£, ±×¸®°í °¡Ä¡°ü¿¡ µû¶ó ´Ù¾çÇÑ ¾ç»óÀ¸·Î º¯¸ðÇØ ¿ÔÀ¸¸ç, ±× ÀÇ¹Ì¿Í °ü°è¿¡ ´ëÇÑ Áú¹®µé ¿ª½Ã ¿¹¼ú°èÀÇ ÁÖµÈ È­µÎ°¡ µÇ¾î¿À°í ÀÖ´Ù. ÀÌ¿¡ ¾ÆÆ®½ºÆäÀ̽º J¿¡¼­´Â °¡Á¤ÀÇ ´ÞÀ» ¸Â¾Æ ±Þ°ÝÇÑ »çȸ º¯È­¿¡ µû¸¥ µ¿½Ã´ë Çѱ¹ °¡Á·ÀÇ ¸ð½ÀÀ» »ìÆ캸°íÀÚ, »çÁø, ȸȭ, ±×¸®°í ¼³Ä¡ÀÛ¾÷À¸·Î ÀÌ·ç¾îÁø < 21c_Family Pictures >î÷À» ±âȹÇÏ°Ô µÇ¾ú´Ù.

½ÅÀ翬°ú ÃÖÁø¿¬, µÎ ÀÛ°¡·Î ±¸¼ºµÈ ¾ÆÆ®ÆÀÀÎ BBREKA(»Ú·¹Ä«) ´Â 2015³âºÎÅÍ ‘1ÀÎ °¡±¸ »çÁø°ü ÇÁ·ÎÁ§Æ®¸¦ ÁøÇàÇØ ¿À°í ÀÖ´Ù. ÀÌ ÇÁ·ÎÁ§Æ®´Â °¡±¸¶ó´Â ÁýÇÕü¸¦ ¸éÀ¸·Î, ‘1ÀÎ °³ÀÎÀ» Á¡À¸·Î ȯ¿øÇÏ¿©, ÇϳªÀÇ Á¡ÀÎ 1ÀÎ, Áï °³ÀÎ °¡±¸µéÀÌ Àΰ£ÀÌ ¾Æ´Ï´õ¶óµµ ´Ù¸¥ ´ë»óÀ» °¡Á· ±¸¼º¿øÀ¸·Î ¼±ÅÃÇÏ¿© ´ë¾ÈÀû ¸éÀ» ÀÌ·ç¸ç »ì ¼öµµ ÀÖ´Ù´Â °¡Á¤ÇÏ¿¡ ½ÃÀ۵Ǿú´Ù. À̵éÀº ½ºÆ©µð¿À¿¡ ÀüÅëÀûÀÎ 4ÀÎ °¡±¸ ±âÁØÀÇ °¡Á· »çÁø°ü ÃÔ¿µ ¼ÒÆĸ¦ ¼³Ä¡ÇÏ°í 1ÀÎ °¡±¸ Âü¿©ÀÚµéÀÌ ÀÚ½ÅÀÇ ¹Ý·Á µ¿¹°À̳ª ½Ä¹°, ȤÀº »ç¹°µé°ú ÇÔ²²ÇÏ´Â °¡Á· »çÁøÀ» ÃÔ¿µÇÏ¿©, ´Ù¾çÇÑ ÇüÅÂÀÇ ÇÇ»çüµé°ú ¾ÖÁ¤ ¾î¸° °ü°è¸¦ ¸ÎÀ¸¸ç »ì¾Æ°¡´Â ¿À´Ã³¯ °¡Á·ÀÇ ¸ð½ÀÀ» »çÁøÀ̶ó´Â ¸Å°³Ã¼·Î ±â·ÏÇØ ¿À°í ÀÖ´Ù.

1ÀÎ °¡±¸ÀÇ º¸ÆíÈ­´Â »îÀ» ´ëÇÏ´Â µ¿½Ã´ëÀεéÀÇ Àνĵµ º¯È­½ÃÄ×´Ù. ‘You only live once.’

´ç½ÅÀÇ »îÀº ÇÑ ¹ø»Ó! ¿ÀÁ÷ ÇÑ ¹ø»ÓÀÎ ÀÚ½ÅÀÇ »îÀ» Áñ°Ü¶ó.’ ¾çÀºÇý ÀÛ°¡´Â Áö±Ý’, ‘¿©±â¸¦ ÃÖ°íÀÇ °¡Ä¡·Î ¿©±â¸ç »çȸÀÇ º¸ÆíÀû Àã´ë³ª ŸÀÎÀÇ ½Ã¼±À» ÀǽÄÇÏÁö ¾Ê°í ³ª¸¸ÀÇ ±âÁØÀ¸·Î »ì¾Æ°¡´Â ÀþÀº ¿ç·Î(YOLO)Á· ¼¼´ëÀÇ »îÀÇ ¹æ½ÄÀ» ´ã´ãÇÏ°Ô Äµ¹ö½º¿¡ ´ã¾Æ³»°í ÀÖ´Ù. ±×³à´Â ÇöÀçÀÇ Ç³¿ä·Ó°í ÀÚÀ¯·Î¿î »îÀ» À§ÇØ ºÒ¾ÈÁ¤ÇÑ ¹Ì·¡¸¦ ´ãº¸·Î ÇÏ´Â ¿ì¸®³× ÀþÀºÀ̵éÀÇ ¿ôÇ ÀÚÈ­»óÀ» ÅëÇØ ¿ì¸® »çȸÀÇ º¯È­ÇÏ´Â °¡Ä¡°ü°ú ½Ã´ëÀÇ Á¤Ã¼¼ºÀ» °¡°¨ ¾øÀÌ µå·¯³»°í ÀÖ´Ù.

 

±×·±°¡ Çϸé, »çÁø°¡ ¼ºÈñÁøÀº ±Þ°ÝÇÑ »ê¾÷È­¿Í °íµµÀÇ °æÁ¦ ¼ºÀåÀ» ÀÌ·èÇÑ Çѱ¹À̶ó´Â »çȸ¿¡¼­ ÀÚ¶ó°í ÀÖ´Â 21¼¼±âÀÇ ¾ÆÀ̵é°ú À̵éÀ» À§ÇØ ÇÒ¸Ó´Ï¿Í ¾ö¸¶ÀÇ ¿ªÇÒÀ» µ¿½Ã¿¡ ¼öÇàÇÏ´Â ÀÌ ½Ã´ë ÇÒ¸¶µéÀÇ ¸ð½ÀÀ» <Busykid>¿Í <Grand-Mother>¿¡¼­ º¸¿©ÁÖ°í ÀÖ´Ù. ±× ¾î´À ¶§º¸´Ù ¹°ÁúÀûÀ¸·Î dz¿ä·Î¿î Áö¿øÀ» ¹Þ°í ÀÖ´Â ¿À´Ã³¯ ¾ÆÀ̵éÀÌÁö¸¸, À̸¦ À§Çؼ­´Â ¸Â¹úÀÌ·Î ÀÎÇÑ ºÎ¸ðÀÇ ºÎÀç°¡ ¼ö¹ÝµÇ¸ç, ÀÌ´Â ÀÚ¿¬½º·´°Ô ¼ÕÁÖµéÀ» À§ÇØ ±â²¨ÀÌ À°¾Æ¸¦ Ã¥ÀÓÁö´Â ÇҸӴϵéÀÇ È²È¥ À°¾Æ·Î À̾îÁø´Ù. ±×³àÀÇ ÀÛÇ° ¼Ó¿¡´Â ¿ì¸®º¸´Ù ´õ ³ªÀº »îÀ» »ì°Ô Çϱâ À§Çضó´Â ¸í¸ñÇÏ¿¡ ¿À´Ãµµ ¹¬¹¬È÷ ÇϷ縦 »ì¾Æ°¡´Â ¿ø´õ ÇÒ¸¶µé¿¡ ´ëÇÑ ÀÛ°¡ÀÇ µû¶æÇÑ ½Ã¼±°ú ¼¼´ë¸¦ ÃÊ¿ùÇÏ´Â °øµ¿Ã¼ÀÇ º¸ÆíÀûÀÎ °¡Ä¡°¡ ´ã°ÜÀÖ´Ù.

¾ÆÀÌÀÇ ¿Ê ¸Å¹«»õ¸¦ ¸¸Á®ÁÖ´Â ¾î¸Ó´Ï, ³ª¶õÈ÷ ¹ßÀ» ¸ÂÃß¾î °É¾î°¡´Â ºÎÀÚÀÇ ¸ð½À, ´ÙÁ¤ÇÏ°Ô ¼ÕÀ» Àâ°í °É¾î°¡´Â ¼Õ³à¿Í ÇÒ¸Ó´Ï, ¿Ë±âÁ¾±â ¸ð¿©ÀÖ´Â ¼¼ÀڸŠ°¡Á·ÀÇ µÞ¸ð½À. º¸±â¸¸Çصµ ¸¶À½ÀÌ µû¶æÇØÁö´Â ¿ì¸®³× ÀÏ»ó ¼Ó °¡Á·ÀÇ Æò¹üÇÑ ¸ð½ÀµéÀº ȲÇý¼± ÀÛ°¡ÀÇ µå·ÎÀ×-Á¶°¢µéÀÌ´Ù. ±×³àÀÇ Á¶°¢µéÀº Æò¹üÇϱ⠱×Áö¾ø´Â ÀÏ»óÀÇ ¼ø°£µéÀÌÁö¸¸ ÀÛ°¡°¡ À̸¦ ƯÀ¯ÀÇ ¼¶¼¼ÇÑ °üÂû°ú »çÀ¯·Î °ã°ãÀÌ ±â·ÏÇÔÀ¸·Î½á µ¿½Ã´ë °¡Á·µéÀÇ Àϻ󼺰ú ½Ã°£¼ºÀ» ¿ÀÈ÷·Á »õ·Î¿î ½Ã°¢À¸·Î ¹Ù¶óº¸°Ô ¸¸µç´Ù.

¾ó¸¶ Àü ÀÚ¹ßÀû ºñÈ¥¸ðÀÎ ÇÑ ¹æ¼ÛÀÎÀÇ °øÁßÆÄ ¿¹´É ÇÁ·Î±×·¥ Ã⿬ ¼Ò½Ä¿¡ ´ëÇØ ºñÈ¥ Ãâ»êÀ» Àå·ÁÇÒ ¼ö ÀÖ´Ù´Â ¹Ý´ëÀÇ ¸ñ¼Ò¸®°¡ ±¹¹Îû¿øÀ¸·Î±îÁö À̾îÁö¸ç Á¤»ó°¡Á·¿¡ ´ëÇÑ ³í¶õÀÌ ÀϾ´Ù. ‘Ưº°ÇÑ º¯µ¿À̳ª Å»ÀÌ ¾øÀÌ Á¦´ë·ÎÀÎ »óŸ¦ ÀǹÌÇÏ´Â Á¤»óÀÇ ¹üÀ§¸¦ ¿ì¸®´Â ¾î¶»°Ô, ¾îµð±îÁö ±ÔÁ¤ÇÒ ¼ö ÀÖÀ»±î? ¾Õ¼­ µ¿½Ã´ë ÀÛ°¡µéÀÇ ÀÛ¾÷À» ÅëÇØ »ìÆìºÃµíÀÌ, ÀÌÁ¦´Â °¡Á·ÀÌ ¹«¾ùÀΰ¡¸¦ ±Ô¸íÇϱ⺸´Ù´Â ¹«¾ùÀ» °¡Á·À¸·Î º¼ ¼ö ÀÖÀ» °ÍÀΰ¡·Î ¿ì¸®ÀÇ Àνĵµ º¯È­ÇÏ°í ÀÖ´Ù. ‘¼¼»ó¿¡ º¯ÇÏÁö ¾Ê´Â °ÍÀº º¯ÇÏÁö ¾Ê´Â´Ù´Â »ç½Ç ¹Û¿¡ ¾ø´Ù´Â ´©±º°¡ÀÇ ¸»Ã³·³ ÇÑ »çȸÀÇ ±Ù°£À» ÀÌ·ç´Â °¡Á·ÀÇ Æз¯´ÙÀÓÀº ½Ã´ëÀÇ È帧¿¡ µû¶ó º¯È­ÇØ ¿Ô°í, Áö±Ýµµ º¯¸ðÇØ°¡°í ÀÖÀ¸¸ç, ¾ÕÀ¸·Îµµ ²÷ÀÓ¾øÀÌ º¯È­¸¦ °ÅµìÇØ °¥ °ÍÀÌ´Ù. ±×·¸´Ù¸é 21¼¼±â¸¦ »ì¾Æ°¡´Â ¿ì¸®ÀÇ ¹Ì·¡¿¡´Â ¾î¶°ÇÑ »õ·Î¿î °¡Á·ÁöÇüµµ°¡ ±×·ÁÁúÁö ÇÑ ¹øÂë »ý°¢ÇØ º¸´Â °Íµµ Èï¹Ì·Î¿î ÀÏÀÌ µÉ °ÍÀÌ´Ù.

(¾ÆÆ®½ºÆäÀ̽º J l ÇÑÇý¿ø)

 

FAMILY. It is a group of people or members of a kinship, mainly based on a couple. It usually consists of a married couple and their children, offsprings and/or by adoption. This is the dictionary definition of a family, and the term is commonly used in place of a household consisting of people who live and eat together under the same roof. Today, the total number of households in Korea is around 23 million and the average number of households is 2.4, of which one-person-household accounts for 39.2%. Meanwhile, the number of households raising pets has increased to 6.04 million, which means that one out of every four Koreans lives with a non-human, often furry, friend. The concept of family nowadays is surely more flexible, which depends on individual tastes, preferences, and values in response to changes in social and economic structure, and questions about its meaning and relationship have also become a major topic in the art world. Accordingly, Art Space J organized “21c_Family Pictures," which consists of photography, painting, and installations to examine the contemporary Korean family in the wake of rapid social changes.

BBREKA, an art team composed of two artists, Shin Jae-yeon and Choi Jin-yeon, has been working on the "One-Person Family Photo Studio Project" since 2015. The project began on the assumption that an individual can choose to include a non-human companion to form a household. They set up a traditional family photo studio for a four-person household and photographed single-person families with their pets, plants, or objects, photographing people in loving relationships with various types of companions.

The societal acknowledgement of single-person households has also changed the perception of life in our society. 'You only live once. ‘Enjoy your one-and-only life.’ Yang Eun-Hye captures the lifestyle of the YOLO generation who values “now" and "here" as the highest priorities and lives by their own standards without minding the “norm” of the society or other people's eyes. She reveals the changing values of our society and the identity of the times through the "funny and sad self-portrait" of our young people whose unstable prospects for the future is the collateral for the freedom and the pleasures that they enjoy.

 

Photographer Sung Hee-Jin shows in Busykid and Grand-Mother the children of the 21st century growing up in the Korean society, which undoubtedly has achieved rapid industrialization and high economic growth. Their grandmothers are appropriately nicknamed Halma (Hal refers to grandmother and Ma refers to mother in Korean), in that they play the roles of both a grandmother and a mother for their grand-children. Today's children are nourished and supported better than ever, but this often means the absence of parents, due to the double-income structure of the households, which naturally leads to the grandmothers stepping in to take care of their grandchildren. Sung’s work contains the value of multi-generational family as it reveals the artist's warm gaze on Wonder Halma, whose capable and loving hands fulfill daily responsibilities “to help them live a better life than us.”

Photographer Sung Hee-Jin shows in Busykid and Grand-Mother the children of the 21st century growing up in the Korean society, which undoubtedly has achieved rapid industrialization and high economic growth. Their grandmothers are appropriately nicknamed Halma (Hal refers to grandmother and Ma refers to mother in Korean), in that they play the roles of both a grandmother and a mother for their grand-children. Today's children are nourished and supported better than ever, but this often means the absence of parents, due to the double-income structure of the households, which naturally leads to the grandmothers stepping in to take care of their grandchildren. Sung’s work contains the value of multi-generational family as it reveals the artist's warm gaze on Wonder Halma, whose capable and loving hands fulfill daily responsibilities “to help them live a better life than us.”

Not long ago, a controversy over what is a "normal family" arose and even led to a national petition, when an unmarried broadcaster spoke of and encouraged non-marriage childbirths in an over-the-air entertainment program. How and how far can we go beyond the scope of ‘normal’ - a condition without any special changes or harm? As you will see in the works of the above-mentioned contemporary artists, our perception is now changing from “what is a family” to” what can we see as a family.” As the saying goes, ”The only thing that doesn't change is the change itself.” The paradigm of a family that forms the basis of a society is evolving continuously. Then it would be interesting to think about what kind of new family topography will surface as the 21st century unfolds.

(Art Space J l Han, Hye-won)

 

 

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BBREKA (½ÅÀçÀº, ÃÖÁø¿¬)

2020 ÀÀ¾Ï¾ÆÆ®-¹«ºê¸ÕÆ®, ¾ÆÆ®¼ûºñ, ¼­¿ï

2019 ½ÅÃ̰Ÿ®¿¹¼úÃàÁ¦, ½ÅÃÌ ¿¬¼¼·Î, ¼­¿ï

2019 ART CUBE PROJECT, ÀÎõ¼­±¸¹®È­Àç´Ü, ÀÎõ

2019 ³ª³ª·£µå, »çºñ³ª¹Ì¼ú°ü, ¼­¿ï

2018 ¾Æ¸§´Ù¿î ´º½º, Çѱ¹ÄÜÅÙÃ÷ÁøÈï¿ø, ¼­¿ï

2018 Á¦ 1ȸ °æ±â ¾÷»çÀÌŬ °ø¸ðÀü Àå·Á»ó ¼ö»ó, °æ±âµµ°æÁ¦°úÇÐÁøÈï¿ø

2017 1Àΰ¡±¸ »çÁø°ü 738, ¼­¿ï½Ãû Çϴñ¤Àå °¶·¯¸®, ¼­¿ï

2017 1Àΰ¡±¸ »çÁø°ü 738, ¿¹¼ú°ø°£ ¼­·Î, ¼­¿ï

2017 Makeshop Top 10, Makeup Art Space, ÆÄÁÖ

2017 »ó½ÄÀû ÆĶó´ÙÀ̽º, Chanty Voile, ¼­¿ï

2017 ºÓÀº ²É, Far Beyond Gallery, ¼­¿ï

2017 ÇϽ½¶ó±¹Á¦·¹Áö´ø½Ã ÀÔÁÖ

2016 7°³ÀÇ ½Ã¼±, ±¤¸í¾÷»çÀÌŬ¾ÆÆ®¼¾ÅÍ, ±¤¸í

2016 ¹Ù·Î±×½ÃÀå, ÀÎõ¹®È­Àç´Ü, ÀÎõ

2016 #007644, ÀÚ¿¬°úÈú¸µ ¸®Á¶Æ® Àü½ÃÀå, Ⱦ¼º

2016 ¿©¼ö ±¹Á¦ ¾ÆÆ® Æ佺Ƽ¹ú, ¿©¼ö ±¹Á¦ ¿¢½ºÆ÷, ¿©¼ö

2016 ±¤¸í¾÷»çÀÌŬ¾ÆÆ®¼¾ÅÍ ÀÔÁÖ

2016 ¹Ù·Î ±× Áö¿ø 9¿ù ¼±Á¤, ÀÎõ¹®È­Àç´Ü

 

 

 

¾çÀºÇý

2010³â È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇРȸȭ°ú Á¹¾÷

2013³â È«ÀÍ´ëÇб³ ´ëÇпø ȸȭ°ú Á¹¾÷

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2020 ÇØÇÇȦ¸®µ¥ÀÌ/ º¹ÇÕ¹®È­°ø°£ ¹ÌÈ£, ÆÄÁÖ

2019 ³ª³ª·£µå/ Á¤¼­Áø ¾ÆƮťºê

Hello spring î÷/ Á߶û±¸Ã»

2018 VACANCE; peace of mind/ ·Î½¬¾ÆƮȦ, ºÐ´ç

Ưº°ÇÏÁö ¾Ê¾Æµµ ±¦Âú¾Æ î÷/ È޸ƽº ¾ÆÆ®·ë, ºÐ´ç

2017 ·Î¸Çƽ ÇÇÅ©´Ð î÷/ ·Ôµ¥°¶·¯¸®, û·®¸®, ¾È¾ç, ´ëÀü

Life of YOLOî÷/ °¶·¯¸® ±× ¾È, ÆÄÁÖ ÇìÀ̸®¿¹¼ú¸¶À»

2016 ºþŸ½ºÆ½º½ î÷/ °¶·¯¸®¸ÞÀÌ, ÇÕÁ¤

One, someday î÷/ °¶·¯¸®ºñ¿ø, ºÐ´ç

2015 Hang out î÷/ ¾ÆÆ®½ºÆäÀ̽ºH, Á¾·Î

2014 PLAY î÷/ À¯Áß¾ÆÆ®¼¾ÅÍ 1°¶·¯¸®, ¹æ¹è

¿©±ä ¾îµð ³ª´Â ´©±¸ î÷/ ¹Ì³ª¸®ÇϿ콺, AÄÄÆÛ´Ï, ´ëÇзÎ

Vacation î÷/ ·ÎÁî°¶·¯¸®, ¿ÜȯÀºÇà Æò⵿

2011 °í°í¾Å î÷/ °¶·¯¸® ON, Á¾·Î

2010 ¾çÀºÇý î÷ / °¶·¯¸® DOT, ¿ï»ê

 

 

 

¼ºÈñÁø

2013 »ó¸í´ëÇб³ ¿¹¼úµðÀÚÀδëÇпø »çÁø¿µ»ó¹Ìµð¾îÇаú ¼ö·á

2006 °æÁÖ´ëÇб³ »çÁø¿µ»óÇаú Á¹¾÷

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2018 <BUSYKID>, 3(s:am) Gallery, ºÎ»ê

2016 <grandmother>, Gallery Blank, ¿Â¶óÀÎ

2015 <BUSYKID>, ½ÅÁøÀÛ°¡ Áö¿øÀü, °¶·¯¸® ¶ó¸Þ¸£, ¼­¿ï

2014 <BUSYKID>, °¶·¯¸® ·ù°¡Çå, ¼­¿ï

2012 <ADULKID,> Gallery Blank, ¿Â¶óÀÎ

 

ȲÇý¼±

1992-1995 ´º¿å´ëÇб³ ¹Ì¼ú´ëÇÐ ¼®»çÇÐÀ§

1988-1992 ¼­¿ï´ëÇб³ ¹Ì¼ú´ëÇÐ Á¶¼Ò°ú ÇлçÇÐÀ§

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2020 ÇÔ²²¶ó¸é, ÇÔ²²¿©¼­, ÇÔ²²´Ï±î. °¶·¯¸®³ª¿ì, ¼­¿ï

2018 ³ª·ê ¹Ù¶óº¸´Â ³ª¸¦ º»´Ù. 26rue Rivoli, Paris. °¶·¯¸® ºñ¿ø, ¼­¿ï

2017 ȲÇý¼±-Solo Project. KIAF-»ó¾÷È­¶û. ¼­¿ï

ȲÇý¼± 1995-1997. »ó¾÷È­¶û, ¼­¿ï

2015 Moments, Here and Now. The Hutchins Gallery, New Jersey

2013 Hae-Sun Hwang. Volta Show, New York

2012 ¼­Ç³ÀÌ º» °Í. °¶·¯¸® ½Ã¸ó, ¼­¿ï

2010 ¾ÆÁÖ Àá±ñ, Á¶±Ý¾¿¸¸, °¶·¯¸® ½Ã¸ó, ¼­¿ï

Still life, L MD Gallery, Paris, ÇÁ¶û½º

2007 ±â¾ïÀÇâ, ÀÌÈ­ÀÍ°¶·¯¸®, ¼­¿ï

2006 ȲÇý¼± °³ÀÎÀü, Æ÷½ºÄڹ̼ú°ü, ¼­¿ï

µé³è¿¡ ºÎ´Â ¹Ù¶÷. ÃâÆÇ»ç µé³è, ÆÄÁÖ

2004 ³ª´Â ¾Æ¹«°Íµµ ¹ÏÁö ¾Ê´Â´Ù, ±×·¯³ª ¸ðµç °ÍÀ» ±â´ëÇÑ´Ù. Àλç¹Ì¼ú°ø°£, ¼­¿ï

2002 S-T-I-L-L-L-I-F-E, °¶·¯¸® Çǽ¬, ¼­¿ï

Still life, 473 Broadway Gallery, New York

1999 µå·ÎÀ×, Gallery Artinus, ¼­¿ï.

“Still Life”, ¹Ú¿µ´öÈ­¶û, ¼­¿ï.

1997 < >, ±ÝÈ£¹Ì¼ú°ü, ¼­¿ï.

1995 “Unplugged", 80 Washington East Gallery, New York

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