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°­¹ÎÈñ ¡®Our Hours¡¯ î÷

'»çÀû¾ð¾î' 2019³â ÇϹݱ⠱âȹ°ø¸ðÀü ÀÛ°¡
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°­¹ÎÈñ ‘Our Hours’ î÷ '»çÀû¾ð¾î' 2019³â ÇϹݱ⠱âȹ°ø¸ðÀü ÀÛ°¡

 

 

1. Àü½Ã°³¿ä

¡á Àü ½Ã ¸í: ‘»çÀû¾ð¾î’ 2019³â ÇϹݱ⠰¶·¯¸® µµ½º ½Å°ü ±âȹ°ø¸ð_

°­¹ÎÈñ ‘Our Hours’ î÷

¡á Àü½ÃÀå¼Ò: ¼­¿ï½Ã Á¾·Î±¸ »ïû·Î 7±æ 28 (°¶·¯¸® µµ½º ½Å°ü)

¡á Àü½Ã±â°£: 2019. 7. 17 (¼ö) ~ 2019. 7. 30 (È­)

 

2. Àü½Ã³»¿ë

 

°¶·¯¸® µµ½º ½Å°ü¿¡¼­´Â 7¿ù 17ÀϺÎÅÍ 30ÀϱîÁö °­¹ÎÈñÀÇ °³ÀÎÀüÀ» °³ÃÖÇÑ´Ù. ÀÛ°¡´Â ÀýÁ¦µÇ°í Á¤Á¦µÈ °Å¿ï°ú ¾ÆÅ©¸± ¼ÒÀ縦 È°¿ëÇÏ¿© ¸¶À½ÀÇ Ã¢À» ¹°ÁúÈ­ÇÑ´Ù. ÆíÁö¿¡ ¾²¿©Áø ±Ûó·³ »ç°¢Çü ÆÐÅÏÀÌ »õ°ÜÁø Åõ¸íÇÑ È­¸éÀº º¸´Â ÀÌÀÇ ¸¶À½ ¾È¿¡¼­ ±×µé¸¸ÀÇ ÁÖ°üÀûÀÎ ¹æ½ÄÀ¸·Î ÀÐÇôÁø´Ù. ±¸Ã¼ÀûÀ̰ųª Á÷Á¢ÀûÀÎ ÇüÅ´ ¾øÁö¸¸ Â÷°©Áö¸¸ µû¶æÇÑ Á¤¼­°¡ ÇÔÃàµÈ Ãß»óÀÇ ÆÐÅÏÀº ¿ÀÈ÷·Á °¨Á¤À» Æø³Ð°Ô ´ã¾Æ³¾ ¼ö ÀÖ´Ù. ±â»Ý°ú ½½ÇÄ È¤Àº °íÅë µîÀÇ º¸ÀÌÁö ¾Ê´Â °¨Á¤ÀÇ ¿µ¿ªÀ» Åõ¸íÇÑ ÀçÁúÀÌ °¡Áø ¹Ý»ç¿Í Åõ¿µÀÇ Æ¯Â¡À» Àû¿ëÇÏ¿© ÀÛÇ°È­ÇÑ À̹ø Àü½Ã´Â Æò¸é°ú ÀÔüÀÇ °æ°è¸¦ Çã¹°°í Ç¥ÇöÀÇ ¿µ¿ªÀ» È®ÀåÇÑ´Ù.

 

ÀÛ°¡³ëÆ® - Our Hours

 

»ç¶÷°ú »ç¶÷ »çÀÌ¿¡ Á¸ÀçÇÏ´Â ¿©·¯°¡Áö ¹Ì¹¦ÇÑ °¨Á¤µéÀÇ ¼ø°£Àû ¿µ¿ªÀÌ »ó´ë¹æ¿¡°Ô ¾Ï¹¬ÀûÀ¸·Î ÀüÇØÁö°í ´À²¸Áú ¶§ ¸¶À½Àº ´õ¾øÀÌ ¾ÖÀýÇÏ°í °£ÀýÇÏ´Ù. ³ª´Â À̸¦ ºó ÆíÁö¿¡ ºñÀ¯Çß´Ù. º¸³»´Â »ç¶÷°ú ¹Þ´Â »ç¶÷ÀÌ °øÀ¯Çß´ø ½Ã°£À» ´ã¾Æ³»°í ±×µéÀÇ °ü°è¸¦ Áõ¸íÇÏ´Â ÆíÁö´Â ÇÑ ±ÛÀÚ¾¿ ¾²¿©Áö´Â ¾ð¾îÀÇ ¹°ÁúÀû ±¸¼ºÀ̹ǷΠºñ ¹°ÁúÀûÀÎ °¨Á¤, »ý°¢ µîÀ» Àǵµ´ë·Î Àü´ÞÇϱ⿡ ÇÑ°è°¡ ÀÖÀ¸¸ç ±× ¶æ ¶ÇÇÑ ½±°Ô º¯ÁúµÉ ¼ö ÀÖ´Ù. ±×·¯³ª ¾Æ¹« °Íµµ ÀûÇô ÀÖÁö ¾ÊÀº ºó ÆíÁö´Â ±Û·Î½á À̹ÌÁö³ª Àå¸éÀ» Ç¥ÇöÇÏ´Â °ÍÀÌ ¾Æ´Ñ Ç¥Çö°ú ºñ Ç¥ÇöÀÌ °øÁ¸ÇÏ´Â »ó»ó°ú Ãß»óÀ¸·Î¼­ Àǹ̿¡ Á¦ÇÑÀ» ¹ÞÁö ¾ÊÀº ä ¿øÃÊÀû °¨Á¤À» °¡Àå ¼ø¼öÇÏ°Ô Ç¥ÇöÇÒ ¼ö ÀÖ´Ù.

‘Our Hours’¿¡ »õ°ÜÁø ±ÔÄ¢ÀûÀÎ »ç°¢Çü ÆÐÅÏÀº »©°îÈ÷ ÀûÇô ÀÖ´Â ÆíÁö ±ÛÀÇ ¹°ÁúÀû ÇüŸ¦ ³ªÅ¸³»´Â µ¿½Ã¿¡ ÅÖ ºñ¾î ÀÖÀ¸¸é¼­µµ °¡µæÇÑ Ãß»óÀÇ ¹«(Ùí)’¸¦ »ó¡ÇÑ´Ù. ¾×ÀÚ¸¦ Æ÷ÇÔÇÑ ¿©·¯ ·¹À̾îÀÇ »ç°¢Çü ±¸Á¶´Â ¸¶À½ÀÇ ³»¸éÀ» µé¿©´Ù º¼ ¼ö Àִ â¹®(óëÚ¦) ¿ªÇÒÀ» ÇÏ¸ç º¸´Â »ç¶÷ÀÇ ½Ã°¢°ú º¸¿©Áö´Â °ø°£ÀÇ Á¶È­·Î¿ò¿¡ ±â¿©ÇÑ´Ù. Åõ¸íÇÑ ¾ÆÅ©¸±°ú °Å¿ïÀº ºûÀ» Åõ°ú½ÃÅ°°í ¹Ý»çÇÔÀ¸·Î½á Æò¸éÀûÀÎ Àç·áÀÇ ¶Ç ´Ù¸¥ ÀÔüÀû ¿µ¿ªÀ» È®ÀåÇØ º¸¿© ÁØ´Ù. À̸¦ ÅëÇØ ´«À¸·Î´Â º¼ ¼ö ¾ø´Â »ç¶÷ÀÇ Àº¹ÐÇÑ ³»¸éÀû °ø°£À» µé¿©´Ù º¸´Â °Í°ú °°Àº ½Ã°¢Àû ÀºÀ¯°¡ ¿Ï¼ºµÈ´Ù. »ý°¢°ú °¨Á¤ µî ¸¶À½ ¾È¿¡¼­ ÀϾ´Â ´ÜÆíÀûÀÎ °ü³äµéÀÇ ÆÄÆíµéÀº ºû¿¡ ÀÇÇØ ÆÄ»ýµÈ ÀϽÃÀûÀÎ ±×¸²ÀÚ¿Í °Å¿ïÀÇ reflectionÀ¸·Î Ç¥ÇöµÈ´Ù. ÀÌ·¸µí ³ª´Â ÀÛÇ° ÁÖº¯ °ø°£ÀÇ ºû°ú »öÀÇ ¿òÁ÷ÀÓÀ» ÅëÇØ ÀÚ¾ÆÀÇ Ã¢¹®À» ½Ã°¢È­ ÇÏ·Á Çß´Ù. »çȸ ½É¸®ÇÐÀÚÀÎ George Herbert Mead°¡ Àΰ£ÀÌ ¿ÜºÎ ¼¼°è¿Í °®´Â °ü°è¸¦ ÀÚ¾ÆÀÇ Ã¢¹® looking-glass self’À¸·Î ºñÀ¯Çß´Ù. °¡Á·, Ä£±¸ µî ÀÇ¹Ì ÀÖ´Â ´Ù¸¥ »ç¶÷µé significant others’°úÀÇ °ü°è¸¦ ÅëÇØ ³»¸é¿¡ ¿©·¯ ÀھƸ¦ Çü¼ºÇÑ ¿ì¸®´Â ÀÚ¾ÆÀÇ Ã¢¹®À» ÅëÇØ ¿ÜºÎ ¼¼»óÀ» ¹Ù¶óº¸¸ç ±â»Ý, °íÅë, ½½ÇÄ, ¾Èµµ µîÀÇ °¨Á¤À» ´À³¤´Ù.

‘Our Hours’´Â ´Ü¼øÈ÷ ½Ã°¢Àû Ç¥Çö¿¡¼­ ³¡³ªÁö ¾Ê°í ³»¸é°ú ¿Ü¸éÀÌ ¸¸³ª´Â Ãß»óÀûÀÌ°í ¾Ï½ÃÀûÀÎ ÇüÅÂÀÇ Àå¼Ò°¡ µÇ¾î ÆíÁö¸¦ ¹Þ´Â »ç¶÷ÀÇ ½Ã°ø°£ ¼Ó¿¡ Á¸ÀçÇÏ´Â ±â¾ïÀ» ÃÊ´ëÇØ ±× ¸¸ÀÇ ºó ÆíÁö¸¦ ÀÐ°Ô ¸¸µç´Ù. ‘ºó ÆíÁö¼Ó¿¡ ´ã±ä ³»¿ëÀº audienceÀÇ °üÁ¡¿¡ µû¶ó ¸Å¿ì ÁÖ°üÀûÀÌ°í ±¤¹üÀ§ÇÑ Ãß»óÀÌ´Ù. º¸ÀÌ´Â ±ÛÀÌ ¾ø¾î ¾Æ¹« Àǹ̰¡ ¾ø´Â ¹éÁö·Î ºñÃÄÁú ¼ö ÀÖ´Â ÇÑÆí, ±× ´©±º°¡ÀÇ ³»¸éÀû °ø°£¿¡´Â ¾ÖÀýÇÏ°í °£ÀýÇÒ ¼ö Àֱ⠶§¹®ÀÌ´Ù.

 

 

3. ÀÛ°¡¾à·Â

 

2017 ·Îµå¾ÆÀÏ·£µå ½ºÄð ¿Àºê µðÀÚÀÎ ¼¶À¯°ú Çлç Á¹¾÷

 

Àü½Ã°æ·Â

 

2019 ‘2019 ±¤È­¹®±¹Á¦¾ÆÆ®Æ佺Ƽ¹ú û³âÀÛ°¡°ø¸ðÀü’, ¼¼Á¾¹Ì¼ú°ü, ¼­¿ï, Çѱ¹

Áö±Ý ¹Ù·Î ¿©±â½ÅÁøÀÛ°¡°ø¸ðÀü, ±×¸²¼Õ°¶·¯¸®, ¼­¿ï, Çѱ¹

2018 ‘into-‘, °¶·¯¸® ¹Ò, ¼­¿ï, Çѱ¹

2018 ‘SEEA 2018Special Exhibition for Emerging Artists’, ¼º³²¾ÆÆ®¼¾ÅÍ, ¼º³², Çѱ¹

2018 ‘COSO Emerging Artists Exhibition’, COSO Art District, ¼­¿ï, Çѱ¹

2018 ‘Lines of Thoughts’, CICA Museum, ±èÆ÷, Çѱ¹

2018 ‘Heritage’, L’espace71 Gallery, ¼­¿ï, Çѱ¹

2018 ‘ÇÁ·Îºñ´ø½º µÎ ¹ø° À̾߱â’, ¹ÚÀ»º¹ ÀÚ¼ö ¹Ú¹°°ü, ¼­¿ï, Çѱ¹

2018 ‘Overview Effect’, ¿¹¼ú°ø°£¶¥¼Ó, ¼­¿ï, Çѱ¹

2018 ‘Salon de Helpta’, ¾ÆÆ®±×¶ó¿îµå ÇñŸ, ¼­¿ï, Çѱ¹

2017 ‘Hands of Korea 201723rd European Patchwork Meeting’, Sainte-Marie-Aux-Mines, Alsace, ÇÁ¶û½º

2017 ‘New Contemporaries Show’, Gelman Gallery, Rhode Island School of Design, ÇÁ·Îºñ´ø½º, ·Îµå¾ÆÀÏ·£µå, ¹Ì±¹

2017 ‘2017 ±¹Á¦È­À̹ö¾ÆÆ®Æä¾î’, ¿¹¼úÀÇ Àü´ç ÇÑ°¡¶÷ ¹Ì¼ú°ü, ¼­¿ï, Çѱ¹

2017 ‘Senior Invitational Exhibition’, Woods-Gerry Gallery, Rhode Island School of Design, ÇÁ·Îºñ´ø½º, ·Îµå¾ÆÀÏ·£µå, ¹Ì±¹

2017 ‘Textiles Senior Show’, Woods-Gerry Gallery, Rhode Island School of Design, ÇÁ·Îºñ´ø½º, ·Îµå¾ÆÀÏ·£µå, ¹Ì±¹

2017 ‘ISMS: Exploring the Intersectionality of Identities’, Design Center, Rhode Island School of Design, ÇÁ·Îºñ´ø½º, ·Îµå¾ÆÀÏ·£µå, ¹Ì±¹

2016 ‘Fort Adams: Drawing Parallels. Listening for Echoes.’, Fort Adams State Park, ´ºÆ÷Æ®, ·Îµå¾ÆÀÏ·£µå, ¹Ì±¹

2016 ‘Language of Patterns’, Ann Street Gallery, ´º¹ö±×, ´º¿å, ¹Ì±¹

2015 ‘RISD Textiles Triennial Show for Selected Work’, Woods-Gerry Gallery, Rhode Island School of Design, ÇÁ·Îºñ´ø½º, ·Îµå¾ÆÀÏ·£µå, ¹Ì±¹

 

·¹Áö´ø½Ã ¹× ¼ö»ó°æ·Â

 

2018 Arquetopia International Artist Residency, ¿À¾Ç»çÄ«, ¸ß½ÃÄÚ

2017 Textiles Department Award, Rhode Island School of Design

2016 Barbara H. Kuhlman Scholarship

2015 Honors Student Academic Award, Rhode Island School of Design

 

ÃâÆÇ

 

2017 Honorable Mention, Artist Portfolio Magazine, Issue 31: 82, November 12, 2017. http://www.artistportfoliomagazine.com/past-issues

2017 “Site Specific: Echoes of History,” RISD XYZ Rhode Island School of Design Alumni Magazine, Winter Issue: 50,

January 4, 2017. https://issuu.com/risd/docs/risdxyz_winter2017

2016 Major, Anina. “Listening for Echoes at Fort Adams,” our risd, December 12 2016. http://our.risd.edu/post/154381241929/listening-for-echoes-at-fort-adams

 





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