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Objects of function
‘Balance within Imbalance’
In the modern era, the meaning and roles of furniture have gradually broadened to serve a greater purpose. Variations are being created with furniture representing not simply a medium that decorates space or reveals personality. Furniture or objects have deviated from basic roles or frameworks to be more encompassing in human life. They have broadened the potential in expression as a formative & functional language.
The ‘Objects of function' started with questions stemming from a gap between the purpose of an object vs. its means of expression for the creator. The harmony of both usage of furniture and creative world was an important goal to me as I formulated a formative language that combines both.
‘Balance within Imbalance’ is a formative language that utilizes the contrast between the formativeness shown by a crossing structure of verticality and horizontality as well as the properties of different materials. It is a story about the Imbalanced forms within a balance, in other words a two sided story.
Through the works, I express the crossing structures of verticality and horizontality, with the resulting intersections the object is composed. This secondarily demonstrated as a visual contrast between the ‘balance’ of the vertical structure with the ‘imbalanced’ horizontal cross structure elements. A tertiary method of expressing this design intent is by employing two contrasting materials such as artificial and natural elements. Such a visual and conceptual expression is intended to result in the expression of the ‘humanistic side but also the artificial or human made properties’.
Based on the above theme of balance and non-balance, I strived to demonstrate this with various levels of depth and forms. The meaning of furniture or objects having dual or two sides was key. I hope to change the perception of the public to see furniture as not just a merely preforming function but also having artistic value to enrich the lives that interact with it.
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2018 °Ç±¹´ëÇб³ ÀϹݴëÇпø ±Ý¼Ó°ø¿¹Çаú Á¹¾÷
2015 °Ç±¹´ëÇб³ ¿¹¼ú µðÀÚÀδëÇÐ °ø¿¹Çаú Á¹¾÷
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2020 ¹ÚÀºÃÑ °³ÀÎÀü, ‘¾²ÀÓÀÌ ÀÖ´Â ¿ÀºêÁ¦’ °¶·¯¸® DOS, ¼¿ï
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2018 °ø¿¹Æ®·»µåÆä¾î âÀÛ°ø¹æ°ü °³Àκνº, Coex, ¼¿ï
2016 ȨÅ×ÀÌºí µ¥ÄÚ Æä¾î µðÀÚÀÌ³Ê ÇÁ·Î¸ð¼Ç °³Àκνº, Coex, ¼¿ï
2016 °ø¿¹Æ®·»µåÆä¾î âÀÛ°ø¹æ°ü °³Àκνº, Coex, ¼¿ï
2015 ¼¿ï/ºÎ»ê µðÀÚÀÎÆ佺Ƽ¹ú ½Å¿¹µðÀÚÀÌ³Ê °³Àκνº, Coex, ¼¿ï
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2020 'Ä£±¸¾ß ³îÀÚ‘Àü, Å©·¡ÇÁÆ® ¾Æ¿ø, ¼¿ï
2019 ±Ý¼Ó Á¦3±×·ì Á¤±âÀü, kcdf°¶·¯¸®, ¼¿ï
2019 ‘³ô°í, ³ô´Ù’Àü Áö¾Æ°¡°¡ °¶·¯¸®, ¼¿ï
2019 ‘Àß°¡¶ó ÀÌõ½ÊÆÈ’Àü Áö¾Æ°¡°¡ °¶·¯¸®, ¼¿ï
2018 ‘´«±æ, ²Ù¹Ò’Àü °¶·¯¸® ¾Æ¿ø, ¼¿ï
2018 ‘½Ã¼±ÀÇ ¿òÁ÷ÀÓ’Àü ¾Æ¿ì·ë °¶·¯¸®, ¼¿ï
2018 ±Ý¼Ó Á¦3±×·ì Á¤±âÀü, kcdf°¶·¯¸®, ¼¿ï
2018 À¯¿¬ÇÑ ±Ý¼Ó, ¿ï»êºÏ±¸¹®È¿¹¼úȸ°ü, ¿ï»ê
2018 ‘¹°£«°Ç’Àü, Áö¾Æ°¡°¡ °¶·¯¸®, ¼¿ï
2017 2ÀÎÀü, °¶·¯¸® ·ò¹Ì¿¡¸£, Çϳ²
2017 2ÀÎÀü, °¶·¯¸® Ä, ÀÏ»ê
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2019 ûÁÖ ±¹Á¦ °ø¿¹ °ø¸ðÀü ÀÔ¼±
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Commune 107 studio ¿î¿µ, ±Ý¼Ó Á¦3±×·ì ȸ¿ø
Artist Biography
<Education>
2018 B.F.A., Graduate School of Konkuk University(Major in Metal Craft)
2015 M,F.A., Konkuk University Department of Art and Crafts(Major in Metal Craft)
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2020 Park Eun Chong Solo Exhibition, ‘Objects of function’ Gallery DOS, Seoul
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2018 Craft Trend Fair 2018, Coex, Seoul
2016 Home Table Deco Fair 2016, Coex, Seoul
2016 Craft Trend Fair 2016, Coex, Seoul
2015 Seoul/Busan Design Festival 2015, Coex, Seoul
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2020 Let's play, my friend, Craft Ahwon, Seoul
2019 The 3rd Group Exhibition2019, kcdf Gallery, Seoul
2019 Lighting Exhibition, Giagaga Gallery, Seoul
2019 Goodbye 2018, Giagaga Gallery, Seoul
2018 Group Exhibition, Gallery Ahwon, Seoul
2018 Art Mobile Exhibition, Aurum Gallery, Seoul
2018 The 3rd Group Exhibition2018, kcdf Gallery, Seoul
2018 Flexible Metal, Ulsan Bukgu Culture Arts Center, Ulsan Seoul
2018 Object Exhibition, Giagaga Gallery, Seoul
2017 Furniture Exhibition, Gallery Rumiere, Hanam
2017 Furniture Exhibition, Gallery Khan, Ilsan
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2019 Received a Prize, Cheonju International Craft Competition, Cheongju, Korea
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Operate Commune 107 studio, Member of The 3rd Group of Metalsmith
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