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ºÎ·Ï2. ¾ÆÆ®ºÎ»ê 2021 ÁÖ¿äÀÛÇ°
ÁÂ) Ÿµ¥¿ì½º ·ÎÆÅ Antony Gormley(b.1950, LONDON), SET VI, 2020, 6 mm square section mild steel bar, 195 x 51,5 x 33 cm (76,77 x 20,28 x 12,99 in) © Georg Baselitz Courtesy of Galerie Thaddaeus Ropac, London • Paris • Salzburg
¿ì) Ÿµ¥¿ì½º ·ÎÆÅ Georg Baselitz(b.1938, GERMANY), Orangenesser dazwischen, 2020, Oil on canvas, 162 x 128 cm (63,78 x 50,39 in) © Georg Baselitz Courtesy of Galerie Thaddaeus Ropac, London • Paris • Salzburg
ÁÂ) Çʶó ÄÚ¸®¾Æ½º Philippe Parreno(b.1964, FRANCE), My Room is Another Fish Bowl, 2016, 90 screen printed mylar balloons, 30 Salmon: 95 x 188 cm(each), 30 Smelt: 99 x 220.5 cm(each), 30 Roache: 100 x 218 cm(each)
¿ì) Çʶó ÄÚ¸®¾Æ½º lan Cheng(b.1979, CHINA), This Papaya Tastes Perfect, 2011, Animation from motion capture choreography, sound (8 minutes), 15.9 x 24.4 x 20.6 cm
¾îÄÄÆÛ´Ï À̼ö°æ(b.1969, KOREA), Triptyque P, 2019, Acrylic on wood, 200 x 480 cm
ÁÂ) ¾ÆÆ®»çÀÌµå °¶·¯¸® ÀÓâ¹Î(b.1971, KOREA), Into a Time Frame Lost Lake, 2021, Pigment print, LED monitor, 108 x 72 cm
¿ì) 021 °¶·¯¸® ¹Ú¼±±â(b.1966, KOREA), An aggregate, 2017, Charcoal, nylone threads, etc, 170 x 170 x 15 cm
ÁÂ) Æä·¹Áî ÇÁ·ÎÁ§Æ® Donna HUANCA(b.1980,U.S.A), AZURITE ARTHROPOD, 2021, Painting oil, sand on digital print on canvas, 125 x 80 cm
¿ì) Æä·¹Áî ÇÁ·ÎÁ§Æ® Shota NAKAMURA(b.1987, JAPAN), a boy with eggplant, 2021, Acrylic on canvas, 120 x 100 cm
°¶·¯¸® Á¶¼± Á¤Á¤ÁÖ(b.1970, KOREA), ÆÄ»çµå, 2019, Stainless steel, colorled light, mirror, Each 30x20x15cm(12 pieces)
ÁÂ) ÇаíÀç Å丶½º »þÀ̺ñÃ÷(b.1968, GERMANY), ÆĽººó´õÀÇ ÃÊ»ó, 2019, Oil, vinyl, pigment marker on canvas, 150 x 190 cm
¿ì) ¿ì¼Õ°¶·¯¸® ¾ß´Ï½º Äí³Ú¸®½º(b.1936, GREECE), Untitled, 2013, Steel plate, steel wire and sewing machine, 100 x 80 cm
ÁÂ) °¶·¯¸® ±âü ¿Á½Âö(b.1988, KOREA), Broken Lens, 2020, Acrylic on canvas, 120 x 120 cm
¿ì) °¶·¯¸® ±âü ¹Ú³ë¿Ï (b.1987, KOREA), Untitled, 2020, Watercolor on canvas, 193.3 x 112.1 cm
ÁÂ) ¸®¾È°¶·¯¸® ¾Øµð ¿öȦ (b.1928, U.S.A), Self-portrait(red), 1967, Silkscreen on paper, 45.6 x 30 cm
¿ì) ¸®¾È°¶·¯¸® Åõ¸® ½Ã¸ÞƼ (b.1929, ITALY), 2 Ovali beige, 2014, Acrylic on shaped canvas, 120 x 150 cm
ÁÂ) °¡³ª¾ÆÆ® Çѳ²(SºÎ½º) Çã»ê (b.1980, KOREA),Tape no.4, 2018, Bronze, plywood Variable installation, 120 x 150 cm
¿ì) °¡³ª¾ÆÆ® Çѳ²(SºÎ½º) Çã»ê (b.1980, KOREA), The pillar on the lion statue #02 (The way how the lion statue to support the world #02), 2020, wooden pillar porcelain lion statue, 26×14×133cm
ºÎ·Ï3. Ưº°Àü ¼Ò°³
3-1. Your uncertain shadow
³ëÀ̰Ÿ²½´³ªÀÌ´õ ¿Ã¶óÆÛ ¿¤¸®¾Æ½¼(Olafur Eliasson)
ÇüÇü»ö»öÀÇ ±×¸²ÀÚ ÀÛÇ°À» ÅëÇØ °ü¶÷°´µéÀÇ »ó»ó·ÂÀ» ÀÚ±ØÇÏ°í ¿¹¼úÀû °æÇèÀ» Á¦°ø
3-2. Ä÷ºÅÍ ¼ÒÀåÀü ÀÓÁ¤¿ <±âÄ¡¸¦ ³ôÀÌ µé´Ù>
Âü¿©ÀÛ°¡: ÇàÅ©Àª¸®½º Å丶½º(Hank Willis Thomas), ¿ìƼ¼§(Wu tsang), Æĸá¶ó ·ÎÀÜÅ©¶õÃ÷(Pamela Rozankranz), ¾Æ´ã ÆæµéÅÏ(Adam Pendleton), ·Î·» ÇÒ¼¼ÀÌ(Lauren Halsey), Á¶½¬ Ŭ¶óÀÎ(Josh Kline), »çÀÌ¸Õ ÈÄÁö¿Í¶ó(Simon Fujiwara), µð³ª·Î½¼
(Deana Lawson)
ÁÂ) Hank Willis Thomas(b.1976, U.S.A), Justice, Peace, Work(Stolen Sword Punctum), 2019, Polished stainless steel, 75 X 118 X 60 cm
¿ì) Josh Kline(b.1979, U.S.A), Reality Television 12, 2020, Nylon flags, dirt, polyurethane, epoxy, microfiber, mounting hardware, 66.04h x 111.76w x 15.24d cm
3-3. ¾ÆÆ®¾Ç¼¾Æ® <¼Õµ¿Çö ±âȹÀü>
Âü¿©ÀÛ°¡: °û¾Æ¶÷, ±Ç¼¼Áø, ±èÈÇö, ¹Ú±×¸², ¼Õµ¿Çö, À̼ÒÁ¤, ÀÌÀº½Ç, ÀÌÈ£¾ï, Á¤Çسª, ÃÖÇظ®
1) ¼Õµ¿Çö People People, 2019-2020, Á¾ÀÌ¿¡ ¸Ô°ú À×Å©, 194 x 130 cm(212 x 130 cm)
2) ±èÈÇö ºÎµ¿¸í¿Õ, 2020, ¼øÁö¿¡ ¼ö¹¬´ãä, 129 x 69 cm
3) ÀÌÈ£¾ï ¹Ù¶÷ÀÇ »À IV, 2020, Á×Áö¿¡ ¿ìµµÇؼö¿Í ¼Û¿¬¹¬, 138 x 70 cm
3-4. ¿ì¼Õ°¶·¯¸®
Âü¿©ÀÛ°¡: ¿ÀÀ¯°æ
µ¶¸³ÀûÀ¸·Î È°¿ëµÉ ¼ö ÀÖ°í Áõ½Ä °¡´ÉÇÑ ¸ðµâÀÇ ÇüÅÂ¿Í ±¸Á¶¸¦ °èȹÇÏ°í Ãà¼Ò¿Í È®ÀåÀÇ ¹Ýº¹ µî ´Ù¾çÇÑ ±¸Á¶·Î ±¸¼ºµÉ ¼ö ÀÖ´Â °¡´É¼ºÀ» ÀÛÇ°À¸·Î Ç¥Çö
¿ì¼Õ°¶·¯¸® ¿ÀÀ¯°æ, ¿ª¸ðºô(¶¥ÀÇ ½ºÆåÆ®·³), 2016, foil mirror balloon, helium gas, stone, PC tube, dimension variable
<Clayarch Gimhae Museum & Artist_Courtesy of Wooson Gallery>
ºÎ·Ï4. ÇÁ·Î±×·¥ ¼Ò°³
4-1 ÄÁ¹ö¼¼À̼ǽº
∙ ´Ù¾çÇÑ ¹®È¿¹¼úÀλ縦 ÃÊûÇØ ¹Ì¼ú°è Æ®·»µå¸¦ »ìÇÇ°í Èï¹Ì·Î¿î ¹Ì¼ú ´ã·Ð ¼Ò°³
∙ °Å¸®µÎ±â ½ÇõÀ¸·Î Á¼® Á¦ÇÑÀ» µÎ°í »çÀü¿¹¾àÀ¸·Î¸¸ ÁøÇà
°¿¬ÀÚ: ÀÌ´ëÇü(¿¡ÀÌÄ¡Á¸ ´ëÇ¥/¹é³²Áع®ÈÀç´Ü ÀÌ»ç), ±èÁ¾¿Ï(µðÀÚÀ̳Ê), ÀÌÁöÇö(³Î À§ÇÑ ¹®È¿¹¼ú COO)
¾ÆÆ®ºÎ»ê&µðÀÚÀÎ 2020, ÄÁ¹ö¼¼À̼ǽº ÁøÇà ¸ð½À
4-2. OVR(¿Â¶óÀÎ ºäÀ×·ë)
∙ ¾ÆÆ®ºÎ»ê °ø½Ä ȨÆäÀÌÁö¸¦ ÅëÇØ Çö ¹Ì¼ú½ÃÀåÀÇ Æ®·»µå¸¦ °æÇèÇÒ ¼ö ÀÖ´Â ±âȸ¸¦ Á¦°ø, µðÁöÅÐ ¹Ì¼ú½ÃÀå¿¡¼ÀÇ ÆÄÀÌ È®´ë
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∙ Àå¼Ò³ª ½Ã°£ÀÇ Á¦¾à¾øÀÌ ÀÛ°¡ ¹× ÀÛÇ°¿¡ ´ëÇÑ Á¤º¸, °¡°Ý È®ÀÎ °¡´É
∙ ÀÌ¿ëÀÚ°¡ ¿øÇÏ´Â °¡°Ý´ë, ¼ÒÀç, »çÀÌÁ ¼±ÅÃÇØ °ü·Ã ÀÛÇ°À» È®ÀÎÇÒ ¼ö ÀÖ´Â ¸ÂÃãÇü °ü¶÷ ½Ã½ºÅÛ
¾ÆÆ®ºÎ»ê&µðÀÚÀÎ 2020, ¿Â¶óÀÎ ºäÀ×·ë
4-3. ART BUSAN x ARTIFACTS
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∙ ºñ´ë¸é Âü¿©Çü ¿Â¶óÀÎ ÄÜÅÙÃ÷
∙ ¾ÆÆ®ºÎ»ê 2021 Âü¿©ÇÏ´Â ¸ðµç ÀÛÇ°À» ¼Õ½±°Ô È®ÀÎ °¡´É
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4-4. VVIP PROGRAM
ART x Tourism
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VVIP BENEFITS
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