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¾ÆÆ®ºÎ»ê 2022

 

Á¦11ȸ ¾ÆÆ®ºÎ»êÀÌ 5¿ù 12ÀÏ(¸ñ), VIP ÇÁ¸®ºä¸¦ ½ÃÀÛÀ¸·Î 15ÀÏ(ÀÏ)±îÁö BEXCO¿¡¼­ °³ÃÖÇÑ´Ù. Áö³­ÇØ ±¹³» ¹Ì¼ú½ÃÀå¿¡¼­ÀÇ ÃÖ´ë ÆǸž×(350¾ï), ÃÖ´Ù ¹æ¹®°´ ¼ö(8¸¸¸í)¶ó´Â ¾öû³­ ¼º°ú¿¡ ÀÌ¾î ¿ÃÇØ´Â 600¾ïÀÇ ÆǸž×, 10¸¸¿© ¸íÀÇ ¹æ¹®°´ ¼ö¸¦ Èǽ ³Ñ¾î¼³ °ÍÀ¸·Î º¸ÀδÙ.

 

Áö³­ 12¿ù 31ÀϱîÁö ¾ÆÆ®ºÎ»ê °ø½Ä À¥»çÀÌÆ®¸¦ ÅëÇØ ÁøÇàµÈ Âü°¡½ÅûÀº Á¢¼ö¸¸ ¹«·Á 272°Ç¿¡ ´ÞÇß°í, ¾ÆÆ®ºÎ»êÀÇ ¾ö°ÝÇÏ ½É»ç¸¦ ÅëÇØ 133°³(±¹³» 101°³, ÇØ¿Ü 32°³)ÀÇ °¶·¯¸®¸¸ÀÌ Âü°¡ ½ÂÀÎÀ» ¹Þ¾Ò´Ù. ÀÌÁß ±¹³» 19°³, ÇØ¿Ü 21°³ °¶·¯¸®´Â ¿ÃÇØ°¡ ¾ÆÆ®ºÎ»êÀÇ Ã¹ Âü°¡ÀÎ °ÍÀ¸·Î È®ÀεƴÙ.

 

ÇØ¿Ü Âü°¡ °¶·¯¸®·Î´Â ¼¼°èÀûÀÎ °ÅÀå µ¥À̺ñµå ȣũ´Ï, ¾Ë·º½º Ä«Ã÷, ÇÏ¿ì¸Þ Ç÷»ÀÚÀÇ Àü¼Ó°¶·¯¸®·Î À¯¸íÇÑ ¹Ì±¹ÀÇ ±×·¹ÀÌ °¶·¯¸®(Gray)°¡ ¾ÆÆ®ºÎ»êÀ» À§ÇØ ¾Æ½Ã¾Æ ¹Ì¼ú½ÃÀå¿¡ óÀ½ ¹æ¹®ÇÑ´Ù. 2020³âºÎÅÍ ²ÙÁØÈ÷ Âü¿©¸¦ ÇØ¿À°í Àִ Ÿµ¥¿ì½º ·ÎÆÅ(Taddaeus Ropac)Àº ¿¹³âº¸´Ù ´õ Å« »çÀÌÁîÀÇ ºÎ½º·Î Âü°¡ÇØ °Ô¿À¸£±× ¹ÙÁ©¸®Ã÷, ¾ÈÅ丮 °õ¸® µî ¼¼°èÀûÀÎ °ÅÀåÀÇ ÀÛÇ°µéÀ» Àü½ÃÇÑ´Ù. ƯÈ÷ ÇÑÂÊ º®¸é¿¡´Â ¾Ë·º½º Ä«Ã÷ÀÇ ´Ù¾çÇÑ ½Ã¸®ÁîÀÇ ÀÛÇ°µé·Î ä¿ö °ü¶÷°´µéÀÇ ½Ã¼±À» »ç·ÎÀâÀ» ¿¹Á¤ÀÌ´Ù. ÀÌ¿Ü¿¡µµ º£¸¦¸°ÀÇ Æä·¹½º ÇÁ·ÎÁ§Æ®(Peres Projects), È«ÄáÀÇ ÅÁ ÄÁÅÛÆ÷·¯¸® ¾ÆÆ®(Tang Contemporary Art), ´º¿åÀÇ ÅõÆʽº(Two Palms), È«ÄáÀÇ È­ÀÌÆ®½ºÅæ °¶·¯¸®(Whitestone Gallery), º£¸¦¸°ÀÇ ¿¡ÇÁ·¹¹Ìµð½º °¶·¯¸®(Efremidis Gallery)¸¦ Æ÷ÇÔÇÑ À¯¼öÀÇ °¶·¯¸®µéÀÌ Âü°¡ ¸®½ºÆ®¿¡ À̸§À» ¿Ã·È´Ù. ±¹³»¿¡¼­´Â ±¹Á¦°¶·¯¸®, °¶·¯¸®Çö´ë, PKM °¶·¯¸®, ÇаíÀç µî 8°³ÀÇ ÃÖÁ¤»ó °¶·¯¸®µéÀÌ ¾ÆÆ®ºÎ»êÀÇ °¡Àå Å« ºÎ½º(160§³)·Î Âü¿©ÇØ µ¿½Ã´ë ¹Ì¼úÀÛÇ°À» ¼±º¸ÀδÙ.

 

ÃÖ±Ù MZ¼¼´ë Ä÷ºÅÍ ÃþÀÌ ¹Ì¼ú°è¿¡ źźÇÏ°Ô ÀÚ¸® ÀâÀ¸¸é¼­ ¶Ù¾î³­ ±âȹ·Â°ú ½ÇÇèÀûÀÎ ÀÛÇ°À» ½ÃÀå¿¡ ¼Ò°³ÇÏ´Â ÀþÀº °¶·¯¸®µéÀÌ ´õ¿í ÁÖ¸ñ¹Þ°í Àִµ¥ ±× Áß °¶·¯¸® ½ºÅÄ, °¶·¯¸® ±âü, °¶·¯¸® ±¸Á¶, ½Ç¸°´õ, ¿¡À̶ó¿îÁö, µð½ºÀ§Ä˵å·ë, ½ºÆäÀ̽º Àª¸µ¾Øµô¸µ µîÀÌ ¿ÃÇØ ¾ÆÆ®ºÎ»ê¿¡ Âü°¡ÇÑ´Ù. Ưº°È÷ °¶·¯¸® ½ºÅÄ, °¶·¯¸® ±¸Á¶, ÈÖ½½ÀÌ Æä¾î ±â°£ Áß ¸ÅÀÏ ¹ã F1963 ÇÁ¶óÇÏ933¿¡¼­ ÁøÇàµÇ´Â ÆÄƼÀÇ È£½ºÆ®·Î ³ª¼­ Çà»ç¿¡ È°·ÂÀ» ºÒ¾î³ÖÀ» Àü¸ÁÀÌ´Ù.

 

¾ÆÆ®ºÎ»êÀº ÇÁ¸®¹Ì¾ö ¾ÆÆ® Æä¾î·Î½á ¼±±¸ÀûÀÎ ºÎ½º µð½ºÇ÷¹À̸¦ ¼±º¸À̱â À§ÇØ ¿ÃÇØ Ã³À½ ºÎ½º µðÀÚÀÎ Áö¿øÇÁ·Î±×·¥À» µµÀÔÇß´Ù. ÇÁ·Î±×·¥ ½ÅûÀ» À§ÇØ Âü¿©ÀÛ°¡, ÃâÇ°ÀÛ ¸®½ºÆ®¿Í ÇÔ²² Àü½Ã±âȹ¼­, ºÎ½ºµðÀÚÀÎ ¼­·ù¸¦ Á¦ÃâÇØ¾ß Çϸç, Âü¿©ÀÛ°¡ Áß, ¸¸ 45¼¼ ¹Ì¸¸ÀÇ Àü¼ÓÀÛ°¡ ºñÀ²ÀÌ 70% ÀÌ»ó, Æ®·¯½º Á¶¸í, Ãß°¡ º®, ÆäÀÎÆ®, Ç÷ξ µî Àü¹ÝÀûÀÎ ºÎ½º µðÀÚÀÎ µî ³ôÀº ±âÁØÀ» Àû¿ëÇÑ´Ù. ½Åû±â°£ µ¿¾È ÃÑ 23°³ÀÇ °¶·¯¸®°¡ Áö¿øÇÏ¿´°í, ÃÖÁ¾ 10°³ÀÇ °¶·¯¸®°¡ ¼±Á¤µÇ¾ú´Ù. ÃÖÁ¾ ½ÂÀÎµÈ °¶·¯¸®¿¡´Â ÃÑ ºÎ½º ±Ý¾×ÀÇ 20%¿¡ ÇØ´çÇÏ´Â ±Ý¾×À» ºÎ½ºµðÀÚÀÎ ºñ¿ëÀ¸·Î Áö¿øÇÑ´Ù.

 

¾ÆÆ®ºÎ»êÀÇ ÁÖ¿ä º¼°Å¸® Áß Çϳª·Î ¼Õ²ÅÈ÷´Â Ưº°ÀüÀÎ Experiment¿¡¼­´Â ¿À½ºÆ¾ ¸®, °­ÀÌ¿¬, Àå ÇÁ·çº£, µ¥À̺ñµå ȣũ´Ï µî ±¹³»¿¡¼­ ¸¸³ª±â ¾î·Á¿î 14°³ÀÇ ¹Ì¼ú°ü±Þ Àü½Ã¸¦ ¼±º¸ÀδÙ. Àα⠰­¿¬ ÇÁ·Î±×·¥ÀÎ ÄÁ¹ö¼¼À̼ǽº´Â <Çö´ë¹Ì¼ú °æ°èÀÇ À籸¼º: NFT ¾ÆÆ®>¿Í <¾ÆƼ½ºÆ® ´ë´ã: Meet the Artists> ÄڳʷΠ±¸¼ºÇØ NFTÀÇ °¡´É¼º°ú ¹Ì·¡¿¡ ´ëÇÑ ´ã·Ð°ú ÇÔ²², ¼¼°è ¹Ì¼ú°è¿¡¼­ ÁÖ¸ñÇؾßÇÒ ÀÛ°¡µéÀ» ¼±Á¤ÇÏ¿© ¹Ì¼ú°è ÁÖ¿ä À̽´¿¡ ´ëÇØ ¼Ò°³ÇÏ´Â ÀÚ¸®¸¦ ¸¶·ÃÇÑ´Ù. ¶ÇÇÑ, Æä¾î¿Í ÇÔ²² ºÎ»êÀÇ ÁÖ¿ä °¶·¯¸®¿Í ¹®È­°ø°£À» ¹æ¹®ÇÏ´Â ¾ÆÆ®¹ö½º(Art Bus), ±×¶ó¿îµå¿¢½º(GroundX)¿Í Çù¾÷ÇÑ NFT ÇÁ·ÎÁ§Æ® µî ¹Ì¼úÀ» »ç¶ûÇÏ´Â ¾ÆÆ®·¯¹öµéÀÌ ¸¶À½²¯ Áñ±æ ¼ö ÀÖ´Â ´Ù¾çÇÑ ÇÁ·Î±×·¥ÀÌ ¸¶·ÃµÈ´Ù.

 

¾ÆÆ®ºÎ»êÀº ÀÛ³â°ú ¸¶Âù°¡Áö·Î Äڷγª19 ¹æ¿ªÀÇ ÀÏȯÀ¸·Î VIP °ü¶÷½Ã°£À» µû·Î Á¦ÇÑÇÏ°í, öÀúÇÑ ¹æ¿ªÀ» ÅëÇØ Âü°¡ °¶·¯¸®¿Í Ä÷ºÅ͸¦ À§ÇÑ ÃÖ»óÀÇ È¯°æÀ» ¸¶·ÃÇÏ°Ú´Ù´Â Æ÷ºÎ¸¦ ¹àÇû´Ù.
























































 

¾ÆÆ®ºÎ»ê 2022

 

¢º Á¦11ȸ ¡¸¾ÆÆ®ºÎ»ê¡¹, 5¿ù 13-15ÀÏ BEXCO¿¡¼­ °³ÃÖ, 21°³±¹ 133°³ °¶·¯¸® Âü°¡

¢º EXPERIMENT Ưº°Àü, ¿À½ºÆ¾ ¸®, °­ÀÌ¿¬, Àå ÇÁ·çº£, µ¥À̺ñµå ȣũ´Ï µî ¹Ì¼ú°ü±Þ Àü½Ã ¼±º¸¿©

¢º ´º¿å MoMA ȸ°íÀü¿¡ Àü½ÃµÈ °Ô¸£Çϸ£Æ® ¸®È÷ÅÍÀÇ ´ëÇ¥ ȸȭÀÛÇ° ¼±º¸¿©

¢º ±¹³» ÃÖ´ë NFT Ç÷§Æû, GroundX¿ÍÀÇ Çù¾÷À» ÅëÇØ NFT ÇÁ·Î±×·¥ ¼Ò°³

¢º ¾ÆÆ®ºÎ»ê ÄÁ¹ö¼¼À̼ǽº <Çö´ë¹Ì¼ú °æ°èÀÇ À籸¼º: NFT ¾ÆÆ®>, <¾ÆƼ½ºÆ® ´ë´ã: Meet the Artists> Äڳʸ¦ ÅëÇØ ¹Ì¼ú°è ÁÖ¿ä À̽´¸¦ ¼Ò°³ÇÏ´Â ÀÚ¸® ¸¶·Ã

 

ART BUSAN 2022 Æ÷½ºÅÍ

 

¾ÆÆ®ºÎ»ê 2022¿¡´Â 21°³±¹¿¡¼­ 133°³ °¶·¯¸®°¡ Âü°¡ÇØ Áö³­ÇØ 110°³ È­¶ûÀÌ Âü°¡Çѵ¥ ºñÇØ È®´ëµÈ Çà»ç ±Ô¸ð¸¦ ÁüÀÛÇÒ ¼ö ÀÖ´Ù. ƯÈ÷ Äڷγª19·Î Á¦¾àÀÌ ¸¹Àº »óȲÀÓ¿¡µµ ºÒ±¸ÇÏ°í ÀÛ³â 18°³¿¡¼­ ¿ÃÇØ 32°³·Î Èǽ ´Ã¾î³­ ÇØ¿Ü °¶·¯¸® ¼ö°¡ ´Ü¿¬ µ¸º¸À̴µ¥ ÇØ¿Ü °¶·¯¸® 32°÷ Áß 21°÷Àº À̹øÀÌ ¾ÆÆ®ºÎ»ê ù Âü°¡ÀÎ °ÍÀ¸·Î È®ÀεƴÙ.

 

´º¿å MoMA ȸ°íÀü¿¡ Àü½ÃµÈ °Ô¸£Çϸ£Æ® ¸®È÷ÅÍÀÇ ´ëÇ¥ ȸȭÀÛÇ° ¼±º¸¿©

¿ÃÇØ ¾ÆÆ®ºÎ»êÀ» ÅëÇØ Çѱ¹ ½ÃÀå¿¡ óÀ½ ÁøÃâÇÏ´Â ±×·¹ÀÌ °¶·¯¸®(Gray)°¡ 50¾ï¿ø´ë¿¡ À̸£´Â ÇÇÄ«¼ÒÀÇ È¸È­ÀÛ¾÷ Tête d'homme et nu assis¸¦ Æ÷ÇÔÇÏ¿© µ¥À̺ñµå ȣũ´Ï(David Hockney), ¾Ë·º½º Ä«Ã÷(Alex Katz), ÇÏ¿ì¸Þ Ç÷»ÀÚ(Jaume Plensa)ÀÇ ÁÖ¿ä ÀÛÇ°µéÀ» ¼±º¸ÀÏ ¿¹Á¤ÀÌ´Ù. 2020³âºÎÅÍ ²ÙÁØÈ÷ Âü¿©¸¦ ÇØ¿À°í Àִ Ÿµ¥¿ì½º ·ÎÆÅ(Thaddaeus Ropac)Àº °Ô¿À¸£±× ¹ÙÁ©¸®Ã÷, ¾ÈÅ丮 °õ¸® µî ¼¼°èÀûÀÎ °ÅÀåÀÇ ÀÛÇ°µéÀ» Àü½ÃÇÑ´Ù. ƯÈ÷ ÇÑÂÊ º®¸é¿¡´Â ¾Ë·º½º Ä«Ã÷ÀÇ ´Ù¾çÇÑ ½Ã¸®ÁîÀÇ ÀÛÇ°µé·Î ä¿ö °ü¶÷°´µéÀÇ ½Ã¼±À» »ç·ÎÀâÀ» ¿¹Á¤ÀÌ´Ù. ¸ÅÇØ ¸Å·ÂÀûÀÎ ºÎ½º µðÀÚÀÎÀ¸·Î ¹Ì¼ú ¾ÖÈ£°¡µéÀÇ ¸¶À½À» »ç·ÎÀâ´Â µ¶ÀÏ º£¸¦¸°ÀÇ Æä·¹½º ÇÁ·ÎÁ§Æ®(Peres Projects), ÃÖ±Ù ¼­¿ï ½ºÆäÀ̽º¸¦ ¿ÀÇÂÇÑ È«ÄáÀÇ ÅÁ ÄÁÅÛÆ÷·¯¸® ¾ÆÆ®(Tang Contemporary Art), ´º¿åÀÇ ÅõÆʽº(Two Palms), ÀÛ³â ÇÁ¸®Áî(Frieze)¿Í ÇǾÇ(Fiac)¿¡¼­ º£½ºÆ® ºÎ½º¿¡ ¼±Á¤µÈ º£¸¦¸°ÀÇ ¿¡ÇÁ·¹¹Ìµð½º °¶·¯¸®(Efremidis Gallery)¿Í È­ÀÌÆ®½ºÅæ °¶·¯¸®(Whitestone Gallery)¸¦ Æ÷ÇÔÇÑ 32°³ÀÇ °¶·¯¸®°¡ ÇØ¿Ü È­¶û ¸®½ºÆ®¿¡ À̸§À» ¿Ã·È´Ù.

 

¿¡ÇÁ·¹¹Ìµð½º °¶·¯¸®(Efremidis Gallery)´Â 2019³â¿¡ ÀÌ¾î µÎ ¹ø° Âü¿©·Î, °Ô¸£Çϸ£Æ® ¸®È÷ÅÍ(Gerhard Richter)ÀÇ ´º¿å MoMA¸¦ ºñ·ÔÇØ ¼¼°è ÁÖ¿ä ¹Ì¼ú°ü ¼øȸÀü½Ã ÀÌ·ÂÀÌ ÀÖ´Â ´ëÇ¥ÀÛÇ°ºÎÅÍ ÃÖ±Ù ¹Ì¼ú½ÃÀå¿¡¼­ °¡Àå ÁÖ¸ñ¹Þ´Â ÀÛ°¡ Áß ÇϳªÀÎ Çϵð ÆȶóÇǼÎ(Hadi Fallapisheh)ÀÇ È¸È­¿Í Á¶°¢ÀÛÇ°±îÁö ¼Ò°³ÇÑ´Ù. ƯÈ÷, °Ô¸£Çϸ£Æ® ¸®È÷ÅÍÀÇ Abstraktes Bild (551-6)Àº ¿ÃÇØ ¾ÆÆ®ºÎ»êÀÇ ÃÖ°í°¡ ÀÛÇ°Áß Çϳª·Î ¾à 40¾ï¿ø¿¡ À̸¥´Ù. ¿¡ÇÁ·¹¹Ìµð½º °¶·¯¸®´Â ¼³¸³ ÈÄ 4³âÀ̶ó´Â ±â°£µ¿¾È ºñ¾àÀûÀÎ ¼ºÀåÀ» ÀÌ·ï³½ °¶·¯¸®·Î µ¶ÀÏ ³»¿¡¼­ È®°íÇÑ ÀÔÁö¸¦ ´ÙÁ³À¸¸ç, ÇÁ¸®Áî ·±´ø(Frieze London), ÇǾÇ(FIAC), ¾ÆÆ® Ä븥(Art Cologne), ¸®½ºÅ× ¹ÙÁ©(Liste Art Fair Basel) µî ¼¼°è Á¤»ó±Þ ¾ÆÆ® Æä¾î¿¡ ÃִܱⰣ¿¡ ÃÊ´ëµÉ Á¤µµ·Î ±× ¼ºÀå¼¼¸¦ ÀÎÁ¤¹Þ°í ÀÖ´Ù. ±¹³»¿¡¼­´Â ±¹Á¦°¶·¯¸®, °¶·¯¸®Çö´ë, PKM °¶·¯¸®, ÇаíÀç µî 8°³ÀÇ ÃÖÁ¤»ó °¶·¯¸®µéÀÌ ¾ÆÆ®ºÎ»êÀÇ °¡Àå Å« ºÎ½º(160§³)·Î Âü¿©ÇØ µ¿½Ã´ë ¹Ì¼úÀÛÇ°À» ¼±º¸ÀδÙ.

 

 

 

ÁÂ) GERHARD RICHTER, Abstraktes Bild(551-6), 1984, Öl auf Leinwand, 50 x 70 cm, rückseitig nummeriert, signiert und datiert: 551-6 Richter 1984, Courtesy of Efremidis Gallery

¿ì) PABLO PICASSO, Tête d'homme et nu assis, 1964, Oil on canvas, 45.7 × 55 cm, Courtesy of Gray

¼±±¸ÀûÀÎ ºÎ½º µðÀÚÀÎÀ» À§ÇÑ ºÎ½º µðÀÚÀÎ Áö¿øÇÁ·Î±×·¥Ã¹ µµÀÔ

2021³â ¸Ó½ºÅÍ ÇÁ·ÎÁ§Æ®¸¦ ½ÃÀÛÀ¸·Î ºÎ½º µðÀÚÀÎ Áö¿øÇÁ·Î±×·¥À» ¿ÃÇØ Ã³À½ µµÀÔÇß´Ù. ºÎ½º µðÀÚÀÎÀÇ »õ·Î¿î Æз¯´ÙÀÓÀ» Á¦½ÃÇÏ°íÀÚ ÀÛ³âºÎÅÍ ½ÃÀÛµÈ ¸Ó½ºÅÍ ÇÁ·ÎÁ§Æ®¿¡¼­´Â ±¹³» ÃÖÃÊ·Î Æ®·¯½º¿Í ÀÛÇ°¿ë Á¶¸íÀ» ¼³Ä¡Çߴµ¥, ±× °á°ú ¾ÆÆ®ºÎ»êÀÌ ¼±º¸ÀÎ ´Ù¾çÇÑ »ç·ÊµéÀÌ À¯¼öÀÇ ¾ÆÆ®Æä¾î¿¡¼­ Àû±Ø È°¿ëµÇ°í ÀÖ´Ù.

ÇÁ·Î±×·¥ ½ÅûÀ» À§Çؼ­´Â Âü¿©ÀÛ°¡, ÃâÇ°ÀÛ ¸®½ºÆ®¿Í ÇÔ²² Àü½Ã±âȹ¼­, ºÎ½ºµðÀÚÀÎ ¼­·ù¸¦ Á¦ÃâÇØ¾ß Çϸç, Âü¿©ÀÛ°¡ Áß ¸¸ 45¼¼ ¹Ì¸¸ÀÇ Àü¼ÓÀÛ°¡ ºñÀ²ÀÌ 70% ÀÌ»óÀ̾î¾ß ÇÏ°í, Æ®·¯½º Á¶¸í, Ãß°¡ º®, ÆäÀÎÆ®, Ç÷ξ µîÀÇ Àü¹ÝÀûÀÎ ºÎ½º µðÀÚÀÎ Á¶°Ç±îÁö ÃæÁ·ÇØ¾ß ÇÑ´Ù. ÃÑ 23°³ÀÇ °¶·¯¸®°¡ Áö¿øÇÏ¿© 10°³ÀÇ °¶·¯¸®°¡ ÃÖÁ¾ ½ÂÀÎÀ» ¹Þ¾ÒÀ¸¸ç, ÃÑ ºÎ½º ±Ý¾×ÀÇ 20%¿¡ ÇØ´çÇÏ´Â ±Ý¾×À» ºÎ½ºµðÀÚÀÎ ºñ¿ëÀ¸·Î Áö¿øÇÑ´Ù.

 

 

 

ART BUSAN 2021 [MUSTER] Project

 

¿À½ºÆ¾ ¸®, °­ÀÌ¿¬, Àå ÇÁ·çº£, µ¥À̺ñµå ȣũ´Ï µî 14°³ÀÇ ¹Ì¼ú°ü±Þ Ưº°Àü½Ã, EXPERIMENT

¾ÆÆ®ºÎ»êÀÇ ÁÖ¿ä º¼°Å¸® Áß Çϳª·Î ¼Õ²ÅÈ÷´Â EXPERIMENT(Ưº°Àü)´Â ¾ÆÆ®ºÎ»êÀÇ °ø°ø¹Ì¼úÀÇ ÀÏȯÀ¸·Î Çà»ç¸¦ ã´Â ¹æ¹®°´À» À§ÇØ ¸¶·ÃÇÑ ½ºÆä¼È ÇÁ·Î±×·¥À¸·Î, ÀÛÇ°°ú °ü¶÷°´ÀÌ Çϳª°¡ µÇ´Â ¿¹¼úÀû °æÇèÀ» ÇÒ ¼ö ÀÖ´Â °ü°´Âü¿©Çü Àü½Ã´Ù. Áö³­ÇØ µ§¸¶Å© ¾ÆƼ½ºÆ® ¿Ã¶óÆÛ ¿¤¸®¾Æ½¼(Olafur Eliasson)°ú ¼³Ä¡¿¹¼ú°¡ Çʸ³ ÆÄ·¹³ë(Philippe Parreno)ÀÇ Àü½Ã¸¦ Æ÷ÇÔÇØ 10°³ÀÇ Æ¯º°ÀüÀ» ¼±º¸¿´´Âµ¥, ¿ÃÇØ´Â 14°³ÀÇ ´Ù¾çÇÑ Æ¯º°ÀüÀÌ °ü¶÷°´À» ¸ÂÀÌÇÒ ¿¹Á¤ÀÌ´Ù. ¸ÕÀú µ¶ÀÏ º£¸¦¸°ÀÇ Æä·¹½º ÇÁ·ÎÁ§Æ®(Peres Projects)´Â ´Ù¾çÇÑ µðÁöÅÐ ±â¹ýÀ» ¿¹¼ú¸Åü·Î È°¿ëÇÏ´Â ¿À½ºÆ¾ ¸®(Austin Lee)ÀÇ ºñµð¿À ÀνºÅç·¹À̼ǰú ´ëÇü ȸȭÀÛ¾÷À», PKM°¶·¯¸®´Â 2020³â ‘CONNECT, BTS’¿¡ Âü¿©ÇÑ À¯ÀÏÇÑ Çѱ¹ ¾ÆƼ½ºÆ®ÀÎ °­ÀÌ¿¬ ÀÛ°¡ÀÇ Àü½Ã¸¦ ¼±º¸ÀδÙ. °¶·¯¸® ¹ÙÅæÀº ±èº¸Èñ ÀÛ°¡ÀÇ 5m°¡ ³Ñ´Â ´ëÀÛÀÎ Towards¸¦ Àü½ÃÇÔÀ¸·Î½á °ü¶÷°´¿¡°Ô À̱¹Àû dz±¤ÀÇ Á¦ÁÖ ÀÚ¿¬À» °¡±îÀ̼­ °æÇèÇÒ ¼ö ÀÖ´Â ±âȸ¸¦ ¼±»çÇÑ´Ù.

 

Austin Lee Bout, 2022, Painting - Acrylic on wooden panel 183 x 230 cm (72 x 90 in)

(AL18102) Courtesy of Peres Projects

 

±¹³» ÃÖ´ë NFT Ç÷§ÆûÀÎ GroundX¿ÍÀÇ NFT Ưº°Àü, ºÎ»ê, ¿ï»ê, °æ³² Áö¿ªÀÇ Ã»³âÀÛ°¡µéÀ» ¼Ò°³ÇÏ´Â Àü½Ã·Î ¿ÃÇØ 10ÁÖ³âÀ» ¸ÂÀÌÇÑ ¾ÆÆ®¾Ç¼¾Æ® 2022, ºñµð¿À¾ÆÆ®ÀÇ Ã¢½ÃÀÚ ¹é³²ÁØ, ºûÀÇ ¿¹¼ú°¡¶ó ºÒ¸®´Â ¹Ì±¹ÀÇ ¼³Ä¡¿¹¼ú°¡ Á¦ÀÓ½º ÅÍ·¼(James Turrell), ¸Ó½ºÅÍ ÇÁ·ÎÁ§Æ® with È£¹Ý¹®È­Àç´Ü, µ¥À̺ñµå ȣũ´Ï(David Hockney)ÀÇ ´ëÇü ÀÛÇ°ÀÌ °ü¶÷°´À» ¸ÂÀÌÇÑ´Ù. ÀÌ¿Ü¿¡µµ ¿À½ºÆ®¸®¾Æ º§º£µ¥·¹ ¹Ì¼ú°üÀÌ ¹Ìµð¾î¿ùÀ» ÅëÇØ ¼±º¸ÀÌ´Â ±¸½ºÅ¸ºê Ŭ¸²Æ®(Gustav Klimt)ÀÇ ‘The Kiss’ NFT, 021°¶·¯¸® °­Àç¿ø ÀÛ°¡ÀÇ ¼³Ä¡ÀÛ¾÷, ¾îÄÄÆÛ´Ï JHR(Á¤Çý·Ã) ÀÛ°¡ÀÇ ´ëÇü ¹Ìµð¾î Àü½Ã±îÁö Ư»ö ÀÖ´Â 14°³ÀÇ ¿¹Á¤µÇ¾î ÀÖ´Ù.

VIP ¶ó¿îÁö, ‘Àå ÇÁ·çº£ ÇϿ콺

¾ÆÆ®ºÎ»êÀÇ VIP °ø½Ä ÆÄÆ®³ÊÀÎ ¾îÆÛÇϿ콺(Upper House)°¡ ÇÁ¶û½º °¡±¸ µðÀÚÀÌ³Ê Àå ÇÁ·çº£(Jean Prouvé

) ÇϿ콺¸¦ VIP ¶ó¿îÁö¿¡ Çö´ë½ÄÀ¸·Î ¿À¸¶ÁÖÇÑ´Ù. ¶ó¿îÁö´Â ¹«·Á 554sqm, 170Æò¿¡ ´ÞÇÏ´Â ±ä °ø°£À¸·Î, Àå ÇÁ·çº£ ÇϿ콺¸¦ Åë°úÇÏ¸é ¾ÆÆ®Æä¾îÀÇ ½Ç³» °ø°£¿¡¼­ ¹þ¾î³ª ¾ß¿Ü Å×¶ó½º °ø°£¿¡ ³ª¿ÍÀÖ´Â °Í°ú °°Àº °æÇèÀ» ÇÏ°Ô µÈ´Ù. Å×¶ó½º °ø°£À» Áö³ª ¸¶ÁÖÇÏ°Ô µÇ´Â VVIP ¶ó¿îÁö¿¡¼­´Â ¾ÆÆ®¹ÙÁ©, ÇÁ¸®Áî µî ¼¼°èÀûÀÎ ¾ÆÆ®Æä¾î¿¡¼­ ¸¸³¯ ¼ö ÀÖ´Â Ruinart(·çÀ̳ª¸£) ¼¤ÆäÀεµ Áñ±æ ¼ö ÀÖ´Ù. ¾îÆÛÇϿ콺´Â ±âÁ¸°ú´Â Â÷º°È­µÈ ÁÖ°Å°ø°£À¸·Î ¹®È­Àû °¡Ä¡¸¦ ´õÇÏ´Â ÀÏ¿¡ ±â¿©ÇÏ°í ÀÖÀ¸¸ç °øµ¿ÁÖÅÃÀ» ´Ù¾çÇÑ Å¸ÀÔÀÇ ±¸Á¶·Î ¼³°èÇØ, »õ·Î¿î ÁְŹ®È­¸¦ ¸¸µå´Â ÀÏÀÇ ¼±µÎÁÖÀÚ·Î ÁÖ¸ñ¹Þ°í ÀÖ´Ù.

 

 

 

 

 

 

 

 

 

 

 

¾îÆÛÇϿ콺 VIP ¶ó¿îÁö ±âȹ¾È, © Upper House

 

VIP ÇÁ·Î±×·¥, Áö¿ªÀÇ ÇÁ¶óÀ̺ø Ä÷º¼Ç°ú ÇÔ²² ¾ÆƼ½ºÆ® ½ºÆ©µð¿À ¹æ¹®

YCC Ä÷ºÅͽº ÇϿ콺 Àü°æÀ̹ÌÁö

ÁÂ) HITO STEYERL, Power plants, 2019, stanless steel schffoding structures, 4 LED panels, multichannel video loop, 4 moving text lines

¿ì) ÃÖ´ëÁø, Somebody to love, 2020, º®¿¡ ¸Ô, 410×230cm

 

¹Ì¼ú½ÃÀåÀ» °ßÀÎÇÏ´Â MZ Ä÷ºÅÍ

MZ¼¼´ë¸¦ Áß½ÉÀ¸·Î ÀÌ·ç¾îÁø ¿µ Ä÷ºÅ͵éÀÇ Àû±ØÀûÀÎ ¹Ì¼ú½ÃÀå Âü¿©·Î ¼Òºñ°èÃþÀÌ ´«¿¡ ¶ç°Ô ´Þ¶óÁ³´Ù. ºñ±³Àû ¾ÈÀüÇÑ ÀÛÇ°À» ±¸¸ÅÇÏ°í ¼ÒÀåÇ°À» ¿ÀÇÂÇÏÁö ¾Ê¾Ò´ø ±â¼º Ä÷ºÅÍ¿Í´Â ´Þ¸®, ¿µ Ä÷ºÅ͵éÀº ½ÇÇèÀûÀÌ°í °³¼ºÀÖ´Â ÀÛÇ°À» ±¸¸ÅÇϴµ¥ ÀÖ¾î °ú°¨ÇÑ ¸ð½ÀÀ» º¸ÀδÙ. À̵éÀº º»ÀÎÀÇ ÃëÇâ¿¡ ¸Â´Â ÀÛÇ°À» ±¸¸ÅÇϱâ À§ÇØ µô·¯³ª °¶·¯¸®ÀÇ Á¶¾ð ¾øÀ̵µ ½º½º·Î °øºÎÇØ ÇÕ¸®Àû Ä÷ºÆÃÀ» ÇÏ´Â °ÍÀÌ Æ¯Â¡ÀÌ´Ù. ¶ÇÇÑ SNS³ª Á÷ÀåÀÎ Ä÷ºÅ͵éÀ» ´ë»óÀ¸·Î ÇÏ´Â Ä¿¹Â´ÏƼ¸¦ ÅëÇØ º»ÀÎÀÇ Ä÷º¼ÇÀ» °Å¸®³¦¾øÀÌ °ø°³ÇÏ°í ¼ÒÅëÇÏ´Â °ÍÀÇ °¡Ä¡¸¦ Áß¿ä½Ã ¿©±ä´Ù. À̵éÀÇ ¿­Á¤¿¡ º¸´äÇϵí MZÄ÷ºÅ͸¦ °ßÀÎÇÏ°í ÀÖ´Â °¶·¯¸®½ºÅÄ, °¶·¯¸® ±âü, ½Ç¸°´õ, ¿¡À̶ó¿îÁö, µð½ºÀ§Ä˵å·ë, ½ºÆäÀ̽º Àª¸µ¾Øµô¸µ µî Âü½ÅÇÏ°í °³¼º ³ÑÄ¡´Â °¶·¯¸®µéÀÌ ¾ÆÆ®ºÎ»ê¿¡ Âü¿©ÇÑ´Ù.

5¿ù 12ÀÏ(¸ñ)ºÎÅÍ 14ÀÏ(Åä), 3ÀÏ°£ ¸ÅÀÏ ¼ö¿µ±¸¿¡ À§Ä¡ÇÑ F1963ÀÇ ÇÁ¶óÇÏ933¿¡¼­ °¶·¯¸®½ºÅÄ, °¶·¯¸® ±¸Á¶, ÈÖ½½°ú °°ÀÌ ÀþÀº °¶·¯¸®µéÀÌ ÆÄƼÀÇ È£½ºÆ®·Î ³ª¼­ Çà»ç¿¡ È°·ÂÀ» ºÒ¾î³ÖÀ» Àü¸ÁÀÌ´Ù. ÆÄƼ´Â VIP Ä«µå ¼Ò½ÃÀÚ¶ó¸é ´©±¸³ª ÀÔÀå °¡´ÉÇÏ´Ù.

 

1) ¹èÇýÀ³, Table Turning, 2020, Acrylic and oil on canvas, 162.2x193.9x4cm / À̹ÌÁö Á¦°ø: ÈÖ½½

2) ¹®ÁÖÇý, ¼¨µµ¿ì °ÔÀ̺¼±× +10, 2020, ÀåÁö¿¡ ä»ö, 100 x 100 cm / À̹ÌÁö Á¦°ø: µð½ºÀ§Ä˵å·ë

 

ART BUSAN x GroundX ÀÇ NFT Çù¾÷

¾ÆÆ®ºÎ»êÀº ±¹³» ÃÖ´ë NFT Ç÷§ÆûÀÎ GroundX¿ÍÀÇ Çù¾÷À» ÅëÇØ ¾ÆÆ®Æä¾îÀÇ Å׸¶¸¦ È®ÀåÇØ ³ª°£´Ù. ±ÝÀ¶ »óÇ°À¸·Î¼­ÀÇ NFT°¡ ¾Æ´Ñ ¿¹¼ú·Î¼­ÀÇ NFT ¾ÆÆ®¸¦ Á¤¸³Çϱâ À§ÇØ Àü¹®È­µÈ ÇÁ·Î±×·¥µéÀ» ¼±º¸À̴µ¥, ±×Áß ART BUSAN NFT ¾ÆÆ® ¾î¿öµå ÇÁ·Î±×·¥À» ÅëÇØ ÃÑ 4¸íÀÇ ÀÛ°¡ÀÇ NFT ÀÛÇ°À» ¼±Á¤ÇÏ¿´´Ù. ¿¹¼ú¼º, ½É¹Ì¼º, ´ëÁß¼º, ¸ÅüÀûÇÕ¼º, µðÁöÅÐ ¿Ï¼ºµµ ÃÑ 5°¡Áö ºÐ¾ß¸¦ ½É»çÇÏ¿© ¼±Á¤µÈ 4ÀÎÀÇ ÀÛ°¡¿¡°Ô´Â Klip Drops¿Í Çù¾÷ÇÒ ¼ö ÀÖ´Â ±âȸ¿Í ÇÔ²² ¾ÆÆ®ºÎ»ê ±â°£µ¿¾È ¼±º¸ÀÌ´Â NFT ¾ÆÆ® ÇÁ·ÎÁ§¿¡ ÀÛÇ°À» ¼±º¸ÀÌ´Â ÇýÅÃÀÌ Á¦°øµÈ´Ù. ¶Ç Çϳª·Î NFT Art LABÀ» ÅëÇØ ¹ÎÆúÎÅÍ µå·Ó±îÁöÀÇ Àü °úÁ¤À» º¼ ¼ö ÀÖ¾î °ü¶÷°´µéÀÌ NFT ¾ÆÆ®¿¡ ´ëÇØ ½±°Ô ÀÌÇØÇÒ ¼ö ÀÖµµ·Ï µ½´Â´Ù. ¿ÀÇÁ¶óÀΰú µ¿½Ã¿¡ ¿Â¶óÀÎ(Klip Drops)¿¡¼­µµ ‘1 Day, 1 Artist, 1 Drop’ À» ÄÁ¼ÁÀ¸·Î ¸ÅÀÏ ÇϳªÀÇ ÀÛÇ°À» µå·Ó½ÃÅ°´Â ÇÁ·Î±×·¥À» ¼±º¸ÀÏ ¿¹Á¤ÀÌ´Ù.

 

¹Ì¼ú ¾ÖÈ£°¡µéÀÇ ´«°ú ±Í¸¦ »ç·ÎÀâÀ» 12°³ÀÇ °­¿¬ °³ÃÖ

 

¾ÆÆ®ºÎ»ê 2022¿¡¼­´Â Æä¾î º» Çà»ç¿Í ´õºÒ¾î ÄÁ¹ö¼¼À̼ǽº(Conversations) ÇÁ·Î±×·¥À» ÅëÇØ ±¹³»¿Ü ¹®È­¿¹¼ú°è¸¦ ´ëÇ¥ÇÏ´Â ¸í»çµéÀ» ÃÊûÇØ ÇöÀç ¹Ì¼ú°èÀÇ Æ®·»µå¸¦ »ìÇÇ°í ¿¹¼úÀÌ ¿ì¸® »î¿¡ ¹ÌÄ¡´Â ¿µÇâ°ú ´Ù¾çÇÑ ¹Ì¼ú ´ã·Ð¿¡ ´ëÇØ °ü°´µé°ú À̾߱âÇÏ´Â ÀÚ¸®¸¦ ¸¶·ÃÇÑ´Ù. 5¿ù 13ÀϺÎÅÍ 15ÀϱîÁö º¤½ºÄÚ Á¦1Àü½ÃÀå 3BȦ¿¡¼­ ÁøÇàµÇ´Â À̹ø ÄÁ¹ö¼¼À̼ǽº´Â <Çö´ë¹Ì¼ú °æ°èÀÇ À籸¼º: NFT ¾ÆÆ®>¿Í <¾ÆƼ½ºÆ® ´ë´ã: Meet the Artists> ÄڳʷΠ±¸¼ºµÇ¸ç ÃÑ 12°³ °­¿¬À¸·Î ÁøÇàµÈ´Ù. <¾ÆƼ½ºÆ® ´ë´ã> Äڳʿ¡¼­´Â ¼¼°è ¹Ì¼ú½ÃÀå¿¡¼­ ÁÖ¸ñÇØ¾ß ÇÒ ¾ÆƼ½ºÆ® 7ÀÎÀ» ¼±Á¤ÇÏ¿© °­¿¬ÀÚ·Î ÃʺùÇÏ¿© ÀÛ°¡µéÀÇ ÀÛ¾÷¼¼°è »Ó¸¸ ¾Æ´Ï¶ó ȯ°æ¹®Á¦¿Í µðÁöÅÐ ±â¼úÀ» ºñ·ÔÇÑ ¹Ì¼ú°èÀÇ ÁÖ¿ä À̽´¸¦ ´Ù·ê ¿¹Á¤ÀÌ´Ù. ±×Áß <¾ÆƼ½ºÆ® ´ë´ã: Meet the Artists>ÀÇ ´ëÇ¥ÀûÀÎ °­¿¬À¸·Î, °­ÀÌ¿¬ ÀÛ°¡¿Í ÀÌ´ëÇü ¾ÆÆ®µð·ºÅÍ°¡ Áö³­ 2020³â ‘CONNECT, BTS’ ÇÁ·ÎÁ§Æ® ÀÌÈÄ °­¿¬ÀÚ¿Í ¸ð´õ·¹ÀÌÅÍ·Î ºÎ»ê¿¡¼­ ´Ù½Ã ¸¸³­´Ù. °­¿¬¿¡¼­´Â ¿ÃÇØ ÀÛ°¡°¡ ¾ÆÆ®ºÎ»ê Ưº°ÀüÀ¸·Î ¼±º¸ÀÌ´Â ‘ANTHROPAUSE’ Àü½Ã, ÀÛ°¡ÀÇ ´ëÇ¥ ÀÛÇ°µé ±×¸®°í ÀÌ´ëÇü °¨µ¶ÀÌ ÃÑ°ý ±âȹÀ» ÇÏ°í, °­ÀÌ¿¬ ÀÛ°¡°¡ ¾ÆƼ½ºÆ®·Î Âü¿©ÇÑ ‘CONNECT, BTS’ ÇÁ·ÎÁ§Æ®¿¡ ´ëÇØ ¼Ò°³ÇÏ´Â ½Ã°£À» °®´Â´Ù. ÀÌ ÇÁ·ÎÁ§Æ®´Â ¼¼°èÀûÀÎ K-POP ¾ÆƼ½ºÆ® ¹æź¼Ò³â´ÜÀÇ Ã¶Çаú ¸Þ½ÃÁö¸¦ Çö´ë¹Ì¼ú·Î Ç®¾î³½ ±Û·Î¹ú Àü½Ã·Î, FT, New York Times, °¡µð¾ð µî Àü¼¼°è 1,200°³ ¸Åü°¡ ÁÖ¸ñÇÑ °ø°ø¹Ì¼ú ÇÁ·ÎÁ§Æ®´Ù. ÀÌ ÇÁ·ÎÁ§Æ®´Â ·±´øÀ» ½ÃÀÛÀ¸·Î º£¸¦¸°, ¼­¿ï, ºÎ¿¡³ë½º ¾ÆÀÌ·¹½º, ´º¿å µî 5°³ µµ½Ã¿¡¼­ 22¸íÀÇ ¿¹¼ú°¡µé°ú BTSÀÇ À½¾ÇöÇÐÀ» ÀçÇؼ®ÇÏ´Â ÇÁ·ÎÁ§Æ®¸¦ ¼º°øÀûÀ¸·Î ·ÐĪÇß´Ù. ´ç½Ã Çѱ¹ ¾ÆƼ½ºÆ®·Î´Â °­ÀÌ¿¬ ÀÛ°¡°¡ À¯ÀÏÇÏ°Ô ÇÁ·ÎÁ§Æ®¿¡ Âü¿©ÇØ Àü½Ã¸¦ ´õ¿í ºû³Â´Ù.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ÁÂ) °­ÀÌ¿¬ ÀÛ°¡ / ¿ì) ÀÌ´ëÇü µð·ºÅÍ

 

ART BUSAN x Artsy ÆÄÆ®³Ê½Ê

 

¼¼°èÃÖ°í ¹Ì¼ú °Å·¡ Ç÷§Æû Artsy¿ÍÀÇ ÆÄÆ®³Ê½ÊÀ» ÅëÇØ OVR(¿Â¶óÀÎ ºäÀ×·ë)À» °³ÃÖÇÑ´Ù. Artsy´Â 3,400°³ÀÇ °¶·¯¸®¿Í 75°³ÀÇ Æä¾î, 27°³ÀÇ ¿Á¼ÇÇϿ콺¿Í ÆÄÆ®³Ê½ÊÀ» ¸Î°í ÀÖÀ¸¸ç 190°³ ±¹°¡ÀÇ »ç¿ëÀÚ¸¦ º¸À¯ÇÏ°í ÀÖ´Ù. ¶ÇÇÑ ¸Å´Þ ¾à 220¸¸¸í¿¡ ´ÞÇÏ´Â Ä÷ºÅÍ°¡ ÀÛÇ° ±¸¸Å¸¦ À§ÇØ Artsy ȨÆäÀÌÁö¸¦ ÀÌ¿ëÇÑ´Ù. ¾ÆÆ®ºÎ»êÀº Artsy¿ÍÀÇ Çù¾÷À» ÅëÇØ Çà»ç ±â°£µ¿¾È Âü°¡ÇÏ´Â °¶·¯¸®µéÀÌ Artsy ȨÆäÀÌÁö¸¦ ÅëÇØ °¶·¯¸®¼Ò°³¿Í ÇÔ²² ÃâÇ°ÀÛÇ°À» ¾÷·ÎµåÇØ È«º¸ÇÒ ¼ö ÀÖ°Ô µ½°í, ¼¼°è ¹Ì¼ú¾ÖÈ£°¡µéÀ» ¸¸³¯ ¼ö ÀÖ´Â ±âȸ¸¦ Á¦°øÇÑ´Ù.

* »çÀÌÆ® ¸µÅ©: https://www.artsy.net/fair/art-busan-2022

 

¾ÆÆ®Æä¾î°¡ ¿­¸®´Â µµ½ÃÀÇ ¾ÆÆ®¸¦ Áñ±â´Â ‘ART BUS’

Çà»ç±â°£(5/13-15) ¸ÅÀÏ 1ȸ ¿î¿µÇÏ´Â Åõ¾î ÇÁ·Î±×·¥À¸·Î ¹ö½º¸¦ Ÿ°í ºÎ»êÁö¿ªÀÇ ÁÖ¿ä °¶·¯¸®¿Í ¹®È­°ø°£À» ¹æ¹®ÇØ Àü½Ã¸¦ °ü¶÷ÇÑ´Ù. ÇÁ·Î±×·¥Àº ´çÀÏ ÇöÀåÁ¢¼ö(¼±Âø¼ø)·Î ´©±¸³ª Âü¿©ÇÒ ¼ö ÀÖ°í, ¾ÆÆ®¹ö½º¸¦ ÀÌ¿ëÇÏ´Â °ü¶÷°´µéÀº Æä¾î¿Í ÇÔ²² ¿©ÇàÇÏµí ¹Ì¼úÀ» Áñ±æ ¼ö ÀÖ´Ù

* ¾ÆÆ®¹ö½º ·çÆ®: BEXCO(¿ÀÈÄ 2½Ã Ãâ¹ß) - ¹ÂÁö¾ö ¿ø(Ä¡À¯ÀÇ ±â¼ú) - °¡³ª¾ÆÆ®(µµ¼º¿í ÀÛ°¡ °³ÀÎÀü) - Á¶ÇöÈ­¶û(À̹è ÀÛ°¡ °³ÀÎÀü) - F1963 ±¹Á¦°¶·¯¸®(¿ì°í ·Ðµð³ë³× °³ÀÎÀü) - F1963 ¾ÆÆ® ¶óÀ̺귯¸®(ÀÚÀ¯ ÀÌ¿ë) BEXCO

 

¾ÆÆ®ºÎ»êÀº ÀÛ³â°ú ¸¶Âù°¡Áö·Î Äڷγª19 ¹æ¿ªÀÇ ÀÏȯÀ¸·Î VIP °ü¶÷½Ã°£À» µû·Î Á¦ÇÑÇÏ°í öÀúÇÑ ¹æ¿ªÀ» ÅëÇØ Âü°¡ °¶·¯¸®¿Í Ä÷ºÅ͸¦ À§ÇÑ ÃÖ»óÀÇ È¯°æÀ» ¸¶·ÃÇÏ°Ú´Ù´Â Æ÷ºÎ¸¦ ¹àÇû´Ù. Çà»ç´Â 5¿ù 12ÀÏ VIP ÇÁ¸®ºä¸¦ ½ÃÀÛÀ¸·Î 15ÀϱîÁö BEXCO Á¦1Àü½ÃÀå¿¡¼­ °³ÃÖÇÑ´Ù.

 

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1) Alex Katz, Vivien in White Coat 10, 2021, Oil on linen, 182.9 × 121.9 cm(72 × 48 inches) / Courtesy of GRAY

2) JAUME PLENSA, Green Forest (Maria), 2019 Bronze, 78 ¼ × 39 ¾ × 43 ¼ inches(199 × 101 × 110 cm), Edition 2 of 5, 761 pounds (345 kg) 0121005 / PROVENANCE The Artist, Richard Gray Gallery, Chicago/New York

 

 

David Hockney, Pictures at an Exhibition, 2018

Photographic drawing printed on 8 sheets of paper, mounted on 8 sheets of Dibond

8 feet 11 12 inches × 28 feet 8 inches (2.7 × 8.7 m), © David Hockney

 

1) Georg Baselitz, Ruhiges Zimmer mit Bad, 2021, Oil on canvas, 250 x 200 cm / Courtesy of Thaddaeus Ropac gallery

2) Antony Gormley, SPAN, 2021, Cast Iron, 565 kg, 200 x 48 x 38 cm / Courtesy of Thaddaeus Ropac gallery

 

1) Ugo Rondinone, vierundzwanzigsterdezemberzweitausendundeinundzwanzig, 2021, Acrylic on canvas, 90 cm / Courtesy of studio Ugo Rondinone

2) ÀÌÈñÁØ, Bronze Woman, 2021, Acrylic and photo-collage on canvas, 260 x 260 cm / Courtesy of the artist and Kukje Gallery/»çÁø:±è¿¬Á¦/À̹ÌÁö Á¦°ø: ±¹Á¦°¶·¯¸®

 

 

1) ÇÔ °Ô¸£µ¥½º, Criss Cross, 2022, Painting-Acrylic on polymer canvas, 180x210cm / Courtesy Peres Projects, Berlin

2) ¸¶´º¿¤¼Ö¶ó³ë, Las Torres de Satelite, 2021, Painting-Acrylic on Canvas, 215x135cm

Courtesy Peres Projects, Berlin / Courtesy Peres Projects, Berlin

 

1) À̽ÂÅÃ, Untitled, 1993, Rope on colored canvas, 55.3 x 70.2 x 4(d) cm (Edition NO: N/A) / À̹ÌÁö Á¦°ø: °¶·¯¸® Çö´ë

2) Mel BOCHNER, Amazing, 2022, Monoprint in oil with collage, engraving and embossment on handmade paper, 159.4 x 99.1 cm / Courtesy of Two Palms

 

1) ÃÖº´¼Ò, Untitled - 202203, 2022, ballpoint pen and pencil on 50’s magazine, 35.5 x 26 x 1 cm / À̹ÌÁö Á¦°ø: ¿ì¼Õ°¶·¯¸®

2) Philip Colbert, Dream Hunt II, 2020, Oil on canvas, 143 x 198 cm / À̹ÌÁö Á¦°ø: ´õÆäÀÌÁö°¶·¯¸®

 

 

1) ÀÌ°Ç¿ë, Bodyscape 76-1-2022, 2022, Acrylic on canvas, 91 x 117 cm / À̹ÌÁö Á¦°ø: ¸®¾È°¶·¯¸®

2) ³²Ãá¸ð, Stroke-lines 22-20, 2022, Acrylic on canvas, 160 x 120 cm / À̹ÌÁö Á¦°ø: ¸®¾È°¶·¯¸®

1) ¹é³²ÁØ, ÀÎÅÍ³Ý µåÀ£·¯: mpbdcg.ten.sspv, 1994, Mixed media, 109.9(h)x131.9x65.9cm / À̹ÌÁö Á¦°ø: ÇаíÀç

2) ¾Èµå·¹¾Æ½º ¿¡¸¯½¼, ¼¼¸¶Æ÷¾î Áö¸®»ê, 2019, ĵ¹ö½º¿¡ À¯Ã¤, ¾ÆÅ©¸±¸¯, ÅÛÆä¶ó, 195x240cm / À̹ÌÁö Á¦°ø: ÇаíÀç

 

 

EXPERIMENT(PKM °¶·¯¸®) / °­ÀÌ¿¬, Courtesy of the artist

 

EXPERIMENT(°¶·¯¸®¹ÙÅæ) / ±èº¸Èñ, Towards, 2021, Color on canvas, 194 x 520 cm(Total 8 pieces)

Courtesy of the artist and Gallery Baton

EXPERIMENT / ¹é³²ÁØ, I Never Read Writtgenstein, 1988, Single-Channel Video Installation with 4 Moniters on the Wall Painted in 7 Colors (Edition of 12)

 

EXPERIMENT(NFT Art LAB) / ÀÌ»ó¼ö, Flamingo, 2022, Mixed media, 42 x 24 x 65(h) / Courtesy of the artist

 

EXPERIMENT / James Turrell, CATSO, 1967 ©2022 James Turrell

 

 

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